Before the creation, said the Muscogees, a great body of water was alone visible. Two pigeons flew to and fro over its waves, and at last spied a blade of grass rising above the surface. Dry land gradually followed, and the islands and continents took their present shapes.[195-2] Whether this is an authentic aboriginal myth, is not beyond question. No such doubt attaches to that of the Athapascas. With singular unanimity, most of the northwest branches of this stock trace their descent from a raven, "a mighty bird, whose eyes were fire, whose glances were lightning, and the clapping of whose wings was thunder. On his descent to the ocean, the earth instantly rose, and remained on the surface of the water. This omnipotent bird then called forth all the variety of animals."[196-1]
Very similar, but with more of poetic finish, is the legend of the Quichés:--
"This is the first word and the first speech. There were neither men nor brutes; neither birds, fish, nor crabs, stick nor stone, valley nor mountain, stubble nor forest, nothing but the sky. The face of the land was hidden. There was naught but the silent sea and the sky. There was nothing joined, nor any sound, nor thing that stirred; neither any to do evil, nor to rumble in the heavens, nor a walker on foot; only the silent waters, only the pacified ocean, only it in its calm. Nothing was but stillness, and rest, and darkness, and the night; nothing but the Maker and Moulder, the Hurler, the Bird-Serpent. In the waters, in a limpid twilight, covered with green feathers, slept the mothers and the fathers."[196-2]
Over this passed Hurakan, the mighty wind, and called out Earth! and straightway the solid land was there.
The picture writings of the Mixtecs preserved a similar cosmogony: "In the year and in the day of clouds, before ever were either years or days, the world lay in darkness; all things were orderless, and a water covered the slime and the ooze that the earth then was." By the efforts of two winds, called, from astrological associations, that of Nine Serpents and that of Nine Caverns, personified one as a bird and one as a winged serpent, the waters subsided and the land dried.[197-1]
In the birds that here play such conspicuous parts, we cannot fail to recognize the winds and the clouds; but more especially the dark thunder cloud, soaring in space at the beginning of things, most forcible emblem of the aerial powers. They are the symbols of that divinity which acted on the passive and sterile waters, the fitting result being the production of a universe. Other symbols of the divine could also be employed, and the meaning remain the same. Or were the fancy too helpless to suggest any, they could be dispensed with, and purely natural agencies take their place. Thus the unimaginative Iroquois narrated that when their primitive female ancestor was kicked from the sky by her irate spouse, there was as yet no land to receive her, but that it "suddenly bubbled up under her feet, and waxed bigger, so that ere long a whole country was perceptible."[197-2] Or that certain amphibious animals, the beaver, the otter, and the muskrat, seeing her descent, hastened to dive and bring up sufficient mud to construct an island for her residence.[197-3] The muskrat is also the simple machinery in the cosmogony of the Takahlis of the northwest coast, the Osages and some Algonkin tribes.