"It was about this period that the tournament ceased to be merely a chivalric combat; and, united with the pageant, acquired more of the dramatic character. The pageant consisted of a temporary building, moved on biers, generally representing castles, rocks, mountains, palaces, gardens, or forests. The decoration of these ambulating scenes was attended with considerable expense, but was seldom conducted with taste or consistency. They generally contained figures, personating a curious medley of nymphs, savages, heathen gods, and Christian saints, giants and the nine worthies, who descended and danced among the spectators.
"On the night of the Epiphany (1516) a pageant was introduced into the hall at Richmond, representing a hill studded with gold and precious stones, and having on its summit a tree of gold, from which hung roses and pomegranates. From the declivity of the hill descended a lady richly attired, who, with the gentlemen, or, as they were then called, children of honour, danced a morris before the King.
"On another occasion, in the presence of the Court, an artificial forest was drawn in by a lion and an antelope, the hides of which were richly embroidered with golden ornaments; the animals were harnessed with chains of gold, and on each sat a fair damsel in gay apparel. In the midst of the forest, which was thus introduced, appeared a gilded tower, at the gates of which stood a youth, holding in his hands a garland of roses, as the prize of valour in a tournament which succeeded the pageant."[39]
CHRISTMAS FESTIVITIES OF NOBLEMEN AND OTHERS.
The royal magnificence was imitated by the nobility and gentry of the period, who kept the Christmas festival with much display and prodigality, maintaining such numerous retinues as to constitute a miniature court. The various household books that still exist show the state in which they lived. From that of the Northumberland family (1512), it appears that the "Almonar" was often "a maker of Interludys," and had "a servaunt to the intent for writynge the parts." The persons on the establishment of the Chapel performed plays from some sacred subject during Christmas; as "My lorde usith and accustomyth to gyf yerely, if his lordship kepe a chapell and be at home, them of his lordschipes chapell, if they doo play the Play of the Nativitie uppon Cristynmes day in the mornnynge in my lords chapell befor his lordship, xxs." Other players were also permitted and encouraged, and a Master of the Revells appointed to superintend. And "My lorde useth and accustomyth yerly to gyf hym which is ordynede to be Master of the Revells yerly in my lordis hous in Cristmas for the overseyinge and orderinge of his lordschips Playes, Interludes, and Dresinge that is plaid befor his lordship in his hous in the XII dayes of Christenmas, and they to have in rewarde for that caus yerly, xxs." Another entry shows that 13s. 4d. was the price paid to the chaplain, William Peres, in the 17th Henry VIII., "for makyng an Enterlued to be playd this next Christenmas."