The deceased, it appears, had made his will in favour of the Baroness de Feuchéres, a female who had lived with him for some years, bequeathing to her the whole of his immense estates, and leaving the Duke d’Aumale, the youngest son of the king of the French, residuary legatee. The Princes de Rohan, heirs by collateral descent to the deceased, thus finding themselves deprived of an expected inheritance, attempted to set aside the will, alleging that undue influence had been exercised over him. The cause came on for hearing before the First Chamber of the Civil Tribunal of Paris, in December, 1831, and excited considerable attention, not so much in consequence of the dispute concerning the validity of the will, as of the question which was raised during the trial,—whether the duke had committed suicide, or whether he had been murdered, and afterwards suspended, in order to defeat the ends of justice.

The facts of the case, collected from the _procés verbaux_, are as follows:—The deceased had naturally partaken of the alarm which had diffused itself throughout France in consequence of the events of the revolution of 1830. Some of his most intimate friends declared that, for some time previously to his death, his mind had been filled with the most gloomy forebodings as to what this new order of things would bring about. On the morning of the 27th, his servant went, as usual, to his bed-room door about eight o’clock; but receiving no answer on knocking, he became alarmed. Madame de Feuchéres then accompanied the valet to the door of the room, which was fastened on the inside; and receiving no reply after calling to the duke in a loud voice, she ordered it to be broken open. On entering the apartment, the body of the deceased was found suspended from the fastening at the top of the window-sash by means of a linen handkerchief, attached to another which completely encircled the neck. The head was inclined a little to the chest; the tongue protruded from the mouth; the face was discoloured; a mucous discharge issued from the mouth and nostrils; the arms hung down; the fists were clenched. The extremities of both feet touched the carpet of the room, the point of suspension being about six feet and a half from the floor; the heels were elevated, and the knees half bent. The deceased was partly undressed; the legs were uncovered, and had some marks of injury on them. Among other points of circumstantial evidence, it was remarked that a chair stood near the window to which the deceased was suspended, and the bed looked as if it had been lain on.

The Anatomy of Suicide — Part 174