The poem on Whitefield served well as an introduction to the Countess of Huntingdon. Through the influence of this noblewoman Phillis met other ladies, and for the summer the child of the wilderness was the pet of the society people of England. Now it was that a peculiar gift of Phillis Wheatley shone to advantage. To the recommendations of a strange history, ability to write verses, and the influence of kind friends, she added the accomplishment of brilliant conversation. Presents were showered upon her. One that has been preserved is a copy of the magnificent 1770 Glasgow folio edition of "Paradise Lost," given to her by Brook Watson, Lord Mayor of London. This book is now in the library of Harvard University. At the top of one of the first pages, in the handwriting of Phillis Wheatley, are these words: "Mr. Brook Watson to Phillis Wheatley, London, July, 1773." At the bottom of the same page, in the handwriting of another, are these words: "This book was given by Brook Watson formerly Lord Mayor of London to Phillis Wheatley & after her death was sold in payment of her husband's debts. It is now presented to the Library of Harvard University at Cambridge, by Dudley L. Pickman of Salem. March, 1824."

Phillis had not arrived in England at the most fashionable season, however. The ladies of the circle of the Countess of Huntingdon desired that she remain long enough to be presented at the court of George III. An accident--the illness of Mrs. Wheatley--prevented the introduction. This lady longed for the presence of her old companion, and Phillis could not be persuaded to delay her return. Before she went back to Boston, however, arrangements were made for the publication of her volume, "Poems on Various Subjects, Religious and Moral," of which more must be said. While the book does not of course contain the later scattered poems, it is the only collection ever brought together by Phillis Wheatley, and the book by which she is known.

The Negro in Literature and Art in the United States — Part 8

The visit to England marked the highest point in the career of the young author. Her piety and faith were now to be put to their severest test, and her noble bearing under hardship and disaster must forever speak to her credit. In much of the sorrow that came to her she was not alone, for the period of the Revolution was one of general distress.

The Negro in Literature and Art in the United States — Part 8