She talks and entertains him with a thousand stories. He laughs at everything, enjoys everything. But as they are sitting in one of the rooms where Countess Elizabeth has hung up Mamselle Marie’s curtains, the countess begins to tell the story of them. And she makes it as funny as she can.

“See,” she says at last, “see how bad I am. Here hang the curtains now, that I may think daily and hourly of my sin. It is a penance without equal. Oh, those dreadful knitted curtains!”

The Story of Gösta Berling — Part 151

The great warrior, Cousin Christopher, looks at her with burning eyes.

The Story of Gösta Berling — Part 151

“I, too, am old and poor,” he says, “and I have sat for ten years by the fire and longed for my mistress. Do you laugh at that too, countess?”

The Story of Gösta Berling — Part 151

“Oh, that is another matter,” cries the countess.

“God has taken from me happiness and my fatherland, and forced me to eat the bread of others,” says Cousin Christopher, earnestly. “I have learned to have respect for poverty.”

“You, too,” cries the countess, and holds up her hands. “How virtuous every one is getting!”

“Yes,” he says, “and know, countess, that if God some day in the future should give me back riches and power, I would make a better use of them than to share them with such a worldly woman, such a painted, heartless monkey, who makes fun of poverty.”

“You would do quite right, Cousin Christopher.”

And then Cousin Christopher marches out of the room and rides home to Ekeby again; but the spirits do not follow him, the thrush does not call to him, and he no longer sees the smiling spring.

He came to Ekeby just as the Easter witch was to be burned. She is a big doll of straw, with a rag face, on which eyes, nose, and mouth are drawn with charcoal. She is dressed in old cast-off clothes. The long-handled oven-rake and broom are placed beside her, and she has a horn of oil hung round her neck. She is quite ready for the journey to hell.

Major Fuchs loads his gun and shoots it off into the air time after time. A pile of dried branches is lighted, the witch is thrown on it and is soon burning gayly. The pensioners do all they can, according to the old, tried customs, to destroy the power of the evil one.

Cousin Christopher stands and looks on with gloomy mien. Suddenly he drags the great royal letter from his cuff and throws it on the fire. God alone knows what he thought. Perhaps he imagined that it was Countess Märta herself who was burning there on the pile. Perhaps he thought that, as that woman, when all was said, consisted only of rags and straw, there was nothing worth anything any more on earth.