----It takes a very _true_ man to be a fitting companion for a woman of genius, but not a very great one. I am not sure that she will not embroider her ideal better on a plain ground than on one with a brilliant pattern already worked in its texture. But as the very essence of genius is truthfulness, contact with realities, (which are always ideas behind shows of form or language,) nothing is so contemptible as falsehood and pretence in its eyes. Now it is not easy to find a perfectly true woman, and it is very hard to find a perfectly true man. And a woman of genius, who has the sagacity to choose such a one as her companion, shows more of the divine gift in so doing than in her finest talk or her most brilliant work of letters or of art.
I have been a good while coming at a secret, for which I wished to prepare you before telling it I think there is a kindly feeling growing up between Iris and our young Marylander. Not that I suppose there is any distinct understanding between them, but that the affinity which has drawn him from the remote corner where he sat to the side of the young girl is quietly bringing their two natures together. Just now she is all given up to another; but when he no longer calls upon her daily thoughts and cares, I warn you not to be surprised, if this bud of friendship open like the evening primrose, with a sound as of a sudden stolen kiss, and lo! the flower of full-blown love lies unfolded before you.
And now the days had come for our little friend, whose whims and weaknesses had interested us, perhaps, as much as his better traits, to make ready for that long journey which is easier to the cripple than to the strong man, and on which none enters so willingly as he who has borne the life-long load of infirmity during his earthly pilgrimage. At this point, under most circumstances, I would close the doors and draw the veil of privacy over the chamber where the birth which we call death, out of life into the unknown world, is working its mystery. But this friend of ours stood alone in the world, and, as the last act of his life was mainly in harmony with the rest of its drama, I do not here feel the force of the objection commonly lying against that death-bed literature which forms the staple of a certain portion of the press. Let me explain what I mean, so that my readers may think for themselves a little, before they accuse me of hasty expressions.