Luckily, this sect, which like a malicious growth seemed to have gathered to itself all the stubbornness, insensibility, and rude obstinacy of the nation, was counterbalanced by a refined and intellectual nobility, which was inspired by the new artistic and philosophical thought of the Renaissance, and seemed to foresee, if not fully to recognize, what a mine of poetry the English theatre of those times was destined to be. Thanks to men like Sir Francis Walsingham, Lords Leicester, Nottingham, Strange, and Sussex, the drama resisted for a time the violent and unwearied attacks of the Puritans. Most fortunately for the actors also, Queen Elizabeth, as well as her successors, James I and Charles I, was fond of plays and favorably inclined toward their performers.
Elizabeth rendered a great service to the actors by placing them under the patronage of the nobility. The municipal authorities, who were frequently Puritan, considered neither dramatic art nor dramatic poetry as an acceptable means of livelihood; consequently, those who cultivated these noble arts easily exposed themselves to being treated as "masterless men," unless they could give a reference to some distinguished aristocratic name.
The Queen ordered by law--in a statute which has often been misunderstood--"that all common players of interludes wandering abroad, other than players of interludes belonging to any baron of this realme, or any other honorable personage of greater degree, to be authorized to play under the hand and seale of arms of such baron or personage, shall be adjudged and deemed rogues and vagabonds"; in other words, the Queen urged all actors, for their own sakes, to place themselves under the patronage of some nobleman, in order to protect them against the persecution of the Puritan citizens.
But even such mighty protection could not entirely shield them, and it was this very power of the London corporation to injure the actors that caused the establishment of the first London theatre.
In the year 1572 the plague broke out in London; it killed many thousands of people, and kept recurring at certain intervals during the next twenty or thirty years, carrying horror and death with it. Under these circumstances all dramatic performances were prohibited for a time in London, a precaution which was reasonable enough, as the dense crowding of people might have helped to spread the disease. But the magistrate seems to have caught eagerly at this opportunity of interfering.