The success of the Mourning Bride was even greater than that of Love for Love. Congreve was now allowed to be the first tragic as well as the first comic dramatist of his time; and all this at twenty-seven. We believe that no English writer except Lord Byron has, at so early an age, stood so high in the estimation of his contemporaries.
At this time took place an event which deserves, in our opinion, a very different sort of notice from that which has been bestowed on it by Mr. Leigh Hunt. The nation had now nearly recovered from the demoralizing effect of the Puritan austerity. The gloomy follies of the reign of the saints were but faintly remembered. The evils produced by profaneness and debauchery were recent and glaring. The Court, since the Revolution, had ceased to patronize licentiousness. Mary was strictly pious; and the vices of the cold, stern, and silent William were not obtruded on the public eye. Discountenanced by the government, and falling in the favor of the people, the profligacy of the Restoration still maintained its ground in some parts of society. Its strongholds were the places where men of wit and fashion congregated, and above all, the theatres. At this conjuncture arose a great reformer whom, widely as we differ from him in many important points, we can never mention without respect.