East Side/West Side is an American drama series starring George C. Scott, Elizabeth Wilson, Cicely Tyson, and, later on, Linden Chiles. The series aired for one season (1963–1964), and was shown Monday nights on CBS.
Set in New York City, the show explored issues of urban life, some of them grim. Though it won critical praise, it also generated some controversy. TV Guide ranked it #6 on their 2013 list of 60 shows that were "Cancelled Too Soon".
Synopsis
The series centers on Scott in the role of Neil Brock, a New York City social worker who works for the private agency Community Welfare Service, with his secretary, Jane Foster, played by actress Cicely Tyson (this was the first time an African-American starred in a television drama). Episodes of East Side/West Side addressed topics relevant to the inner city, with many controversial issues explored. A typical example came in the first two episodes, when Brock investigated a prostitute and her child ("The Sinner"), followed by a story involving statutory rape (“Age of Consent”).
In an effort to tackle issues effectively, Brock resigned from his job during the latter portion of the 1963–64 season to work for a New York congressman, Charles W. Hanson (Chiles). The characters played by Elizabeth Wilson and Cicely Tyson soon disappeared, and Barbara Feldon was introduced as Brock's girlfriend for one episode.
Despite the high quality of both the writing and acting, the show's tendency of addressing sensitive topics forced many potential advertisers to avoid sponsorship of the show, while a number of television stations affiliated with CBS across the country also chose not to air the program for their local viewers. It was reported that CBS programming chief James Aubrey clashed with Scott over the direction of the show, also a factor in its cancellation.
The December 23, 1963 episode, "Creeps Live Here," was originally scheduled to be broadcast on November 25, but was postponed as CBS concluded their four-day live coverage of the John F. Kennedy assassination.
East Side/West Side ran on Monday evenings at 10 PM, opposite ABC's medical drama about psychiatry, Breaking Point and NBC's Sing Along with Mitch starring Mitch Miller. The show's executive producer, David Susskind, began a letter-writing campaign to government officials, newspaper editors, and other prominent individuals to gain support for renewal of the series. However, the effort failed when the show was cancelled on January 28.
Cast
George C. Scott as Neil Brock
Linden Chiles as Congressman Charles Hanson (Episodes 19–26) John McMartin as Mike Miller (Episodes 19–26) Cicely Tyson as Jane Foster (Episodes 1–22) Elizabeth Wilson as Frieda Hechlinger (Episodes 1–22)
Conception and development
East Side/West Side started as a vehicle for George C. Scott, who had recently gained prominence after acclaimed theatrical performances and a series of important films. On January 3, 1962, CBS and United Artists announced that they were beginning preparations for an hour-long drama starring Scott, to be launched during the 1963-1964 season.
Scott did not like the idea of the show being prepared for him and threatened to abrogate his agreement with CBS. The president of CBS, James Aubrey, introduced Scott to an independent producer David Susskind, who turned to his friend Robert Alan Aurthur, a talented television playwright, for a screenplay conception. Aurthur offered an unproduced script, My Three Angels, centered around a trio of inner-city social workers, and rewrote the script to fit Scott. Aurthur renamed the project East Side/West Side, a reference to the two halves of upper Manhattan as bisected by Central Park. The main protagonist was Neil Brock, played by Scott — a tough, impatient, temperamental case worker. With the approval of Aubrey and his newest television star, David Susskind began production on Aurthur’s pilot script, a story about a teen gang killer and his path through the legal system, now called It’s War, Man.
The central location of the series was the Community Welfare Service (CWS), a private agency that served as home base for three social workers dedicated to solving the daily problems, major and minor, of the residents of an impoverished Manhattan neighborhood. According to George C. Scott, the setting was chosen deliberately to get his character out of the office and maximize the audience’s exposure to the real streets of New York.