"I see--thank you. You've been through the passage leading from Sir Harry's room that was--Sir Jekyl Marlowe's room, at the back of the house, to the secret door of the green chamber?"

"No, never. I know nothink o' that, no more nor a child."

Guy Deverell, v. 2 of 2 — Part 13

Varbarriere had here been trying to establish another conjecture.

Guy Deverell, v. 2 of 2 — Part 13

There was a pause. Varbarriere, ruminating darkly, looked on Donica Gwynn. He then closed his pocket-book, in which he had inscribed a few notes, and said--

Guy Deverell, v. 2 of 2 — Part 13

"Thank you, Mrs. Gwynn. Should I want anything more I'll call again; and you had better not mention the subject of my visit. Let me see the pictures--that will be the excuse--and do _you_ keep _your_ secret, and I'll keep mine."

"No, I thank you, sir," said Donica, drily, almost fiercely, drawing back from his proffered douceur.

So he looked at the pictures in the different rooms, and at some old china and snuff-boxes, to give a colour to his visit; and with polite speeches and dark smiles, and a general courtesy that was unctuous, he took his leave of Donica Gwynn, whom he left standing in the hall with a flushed face and a sore heart.

The pleasant autumn sun touched the steep roofs and mullioned windows of Marlowe Manor pleasantly that morning, turning the thinning foliage of its noble timber into gold, and bringing all the slopes and undulations of its grounds into relief in its subdued glory. The influence of the weather was felt by the guests assembled in the spacious breakfast-parlour, and gay and animated was the conversation.

Lady Jane Lennox, that "superbly handsome creature," as old Doocey used to term her, had relapsed very much into her old ways. Beatrix had been pleased when, even in her impetuous and uncertain way, that proud spirit had seemed to be drawn toward her again. But that was past, and that unruly nature had broken away once more upon her own solitary and wayward courses. She cared no more for Beatrix, or, if at all, it was plainly not kindly.

In Lady Jane's bold and mournful isolation there was something that interested Beatrix, ungracious as her ways often were, and she felt sore at the unjust repulse she had experienced. But Beatrix was proud, and so, though wounded, she did not show her pain--not that pain, nor another far deeper.