Here he lived a kind and blameless life, but the life of a sprightly widow of forty, who is rich and childless, and does not intend to marry again. In the morning, after seeing his cook, he wrote a few letters (he did not use the telephone much because it tickled his ear, and he disliked talking into a little box where other people had talked and breathed) and these he generally sealed with a signet belonging to his step-mother’s grandmother, which had a coronet on it. He was a little snobbish in this regard, in a Victorian
old-fashioned way, for though his step-mother was no sort of relation to him he took over her relations as cousins, and hunted up the most remote connections of hers, for adoption, in the Peerage. His letters being finished he took his soft hat and sat at his club for half an hour reading the papers. Generally he walked out to lunch, and was called for by his car about a quarter to three. Sometimes he had a little shopping to do, and if not, went for a drive, sitting very upright, much on the look-out for acquaintances, and returned home for tea. After tea he sat on his sofa working at his embroidery, had a hot bath, and except when, about twice a week, he had a few people to dine with him, went out to dinner. He did not play bridge but patience and the piano, both of which he manipulated with a good deal of skill. When he entertained at his own house, his guests were chiefly young men with rather waggly walks and little jerky movements of their hands, and old ladies with whom he was always a great success, for he understood them so well. He called them all, young men and old ladies alike, ‘my dear,’ and they had great gossips together, and they often said Georgie was very wicked, which was a lie.
He had considerable musical taste, as well as proficiency on the piano, and very soon his life became a busy one in the sense, at any rate, that he had very little time for his embroidery. He built out a big room at the back of his house, and gave tinkling little modern musical parties, at which he introduced masses of young geniuses to the notice of his friends. Also he took to practising his piano with some seriousness, and would often forgo his walk to the club and his perusal of the morning papers in order to work at his music, and sat at his instrument for two hours together, with his rings and his handkerchief on the candle-brackets. His taste was modern, and he liked the kind of piece about which you are not sure if it is over or not, or what has happened. He paid quantities of country-house visits to the homes of his old-lady friends and his step-mother’s cousins, where he would sit in the library reading and writing his letters till half-past twelve, and take a little stroll with a brown cape on his arm till lunchtime. He sketched too, and produced rather messy water-colours of churches and beech-trees, and made crayon-portraits of his hostess or her boys, which he always sent her with his letter of thanks for a most pleasant visit, neatly framed. His portraits of elderly ladies had a certain resemblance to each other, being based on a formula of a lace cap, a row of pearls, and a thoughtful expression. He had a similar formula for young men, of which the chief ingredients were a cricket-shirt and no coat or Adam’s apple, long eyelashes, and a girlish mouth. He was not good at eyes, so his sitters were always looking down. After lunch at these most pleasant visits he went out for a drive in a motor to see some neighbouring point of interest or to call on some adopted cousin whom he had discovered to live somewhere about. He rested in his own room after these fatigues and excitements for an hour before dinner, with his feet up and a dressing-gown on, and afterwards would work on a crayon-sketch, play the piano, or make himself agreeable to anybody who was in need of gentle conversation. Often he would settle down thus in a friend’s house for a fortnight at a time, in which case he brought his embroidery and his car with him, and was most useful in taking other guests out for drives, or bringing home members of a shooting-party. Occasionally, for no reason, he roused violent antagonism in the breasts of rude brainless men, and after he had left the smoking-room in the evening, one would sometimes say to another, ‘Good God! What is it?’