No room is left for doubt after reading the fuller description of these kashima, contained in Bancroft. He says the Eskimo dance in them, “often _in puris naturalibus_,” and make “burlesque imitations of birds and beasts.” Dog or wolf tails hang to the rear of their garments. A sacred feast of fish and berries accompanies these dances, wherein the actors “elevate the provisions successively to the four cardinal points, and once to the skies above, when all partake of the feast.”—(Bancroft, “Native Races,” vol. i. p. 78.)
There is a description of one of these dances by an American, Mr. W. H. Gilder, an eyewitness. “The kashine (_sic_) is a sort of town hall for the male members of the tribe.... It is built almost entirely under ground, and with a roof deeply covered with earth. It is lighted through a skylight in the roof, and entered by a passage-way and an opening which can only be passed by crawling on hands and knees.... In the centre of the room is a deep pit, where in winter a fire is built to heat the building, after which it is closed, and the heat retained for an entire day. In this building the men live almost all the time. Here they sleep and eat, and they seldom rest in the bosom of their families.” He further says that there was “a shelf which extends all round the room against the wall.... One young man prepared himself for the dance by stripping off all his clothing, except his trousers, and putting on a pair of reindeer mittens.... The dance had more of the character of Indian performances than any I had ever previously seen among the Esquimaux.”—(“Ice-Pack and Tundra,” pp. 56-58.)
The following information received from Victor Namoff, a Kadiak of mixed blood, relates to a ceremonial dance which he observed among the Aiga-lukamut Eskimo of the southern coast of Alaska. The informant, as his father had been before him, had for a number of years been employed by the Russians to visit the various tribes on the mainland to conduct trade for the collection of furs and peltries. Besides being perfectly familiar with the English and Russian languages, he had acquired considerable familiarity with quite a number of native dialects, and was thus enabled to mingle with the various peoples among whom much of his time was spent. The ceremony was conducted in a large partly underground chamber, of oblong shape, having a continuous platform or shelf, constructed so as to be used either as seats or for sleeping. The only light obtained was from native oil lamps. The participants, numbering about ten dozen, were entirely naked, and after being seated a short time several natives, detailed as musicians, began to sing. Then one of the natives arose, and performed the disgusting operation of urinating over the back and shoulders of the person seated next him, after which he jumped down upon the ground, and began to dance, keeping time with the music. The one who had been subjected to the operation just mentioned, then subjected his nearest neighbor to a similar douche, and he in turn the next in order, and so on until the last person on the bench had been similarly dealt with, he in turn being obliged to accommodate the initiator of the movement, who ceases dancing for that purpose. In the meantime all those who have relieved themselves step down and join in the dance, which is furious and violent, inducing great perspiration and an intolerable stench. No additional information was given further than that the structure may have been used in this instance as a sudatory, the urine and violent movements being deemed sufficient to supply the necessary amount of moisture and heat to supply the participants with a sweat-bath.—(Personal letter from Dr. W. J. Hoffman, Bureau of Ethnology, Washington, D. C., June 16, 1890.)