The church was dark, and it seemed to Herbert so vast and strange at this late hour. Candles gleamed on the altar, at the end of a long, shadowy aisle. Their footsteps made no sound on the velvet carpet as they walked under the dim arches to the front seat. His aunts and his uncles and his brother's big friends from the training camp seemed suddenly to appear out of the shadows and silently fill the front rows. In the queer light he kept recognizing familiar faces that smiled and nodded at him in the dimness. Even Miss Shake and Nannie looked queer in the pew behind. Nannie was dressed in her "day-off" clothes. She was crying. Herbert looked about him wonderingly: yes, Miss Shake was crying, too--and that lady in the black veil over there: oh, how she was crying! No; he didn't like this party.

Through a little space between his father's arm and a stone pillar he could see Leonard's back. Leonard was standing on the white stone steps, very straight. Then he kneeled down, and Herbert heard his sword click on the stone floor. The minister, dressed in a white and purple robe, with one arm out-stretched, was talking to him in a sing-song voice. Herbert couldn't see Marjorie, the pillar was in the way; but he felt that she was there. Leonard's voice sounded frightened and muffled, not a bit like himself, but he heard Marjorie's voice just as plain as anything--

Four Days — Part 9

Presently the choir began to sing, and his mother found the place in the hymn-book. Herbert couldn't read, but he knew the hymn. Each verse ended,--

Four Days — Part 9

"Rejoice, rejoice, Rejoice, give thanks, and sing."

Four Days — Part 9

Herbert looked on the hymn-book and pretended he was reading. The book trembled. Leonard and Marjorie were passing close to the pew. They looked, oh, so pleased! Leonard smiled at his mother, and she smiled back. She lifted Herbert up on the seat and he watched them pass down the dark aisle together and out through the shadowy doorway at the very end. The little boy felt a vague sensation of distress. He looked up at his mother and the distress grew. She was still singing, but her mouth kept getting queerer and queerer as she came to the line,--

He had never seen his mother cry before. He didn't suppose she could cry. She was grown up. You don't expect grown-up people, like your mother, to cry--except, of course, Nannie and Miss Shake.