After his release from Newgate comes a period of obscurity, from which he emerges about 1875 as living in some style at Shanklin, with a London _pied à terre_ in Cavendish Square, a brougham, and everything genteel about him. It was at this time I made his acquaintance. He then passed under the name of Yonge, with some explanation which I forget; but he confided to me and to others how he was really the Count de Montague, a Frenchman engaged in conspiring for the Empire, business that was to account for the seclusion in which he lived. This struck me as dubious: in those days, before dynamite outrages, one could conspire at the pitch of one’s voice in the middle of Piccadilly without anyone caring to interfere. Moreover, in writing to me, he signed himself _De Montagu_, whereas, for a more favoured friend, he decorated the name with a final _e_. It took little Sherlock Holmes’ faculty to detect that a French nobleman ought to know how to spell his own name; but I am glad to say that from my first sight of the “Count,” I distrusted a gentleman whose dress and manners seemed too fine to be true. He never deceived me by his pretensions; and his overdone elegance served to set others on their guard. Indeed, like Joseph Andrews, he might have passed for a nobleman with one who had not seen many noblemen.
For not being taken in by him, I have perhaps to thank my deficiencies. His chief accomplishment, it seems, was playing the piano like an angel, which left me cold, while it drew tuneful flies into his web of treasons and stratagems. Some women were much taken by his feline manners, which on others produced such a feeling of repulsion as was my experience. One family became so captivated as to act as his social sponsors in the Isle of Wight, where he was received with open arms. If I remember right, it was a house belonging to this family which he tenanted; and rumour went that his admiring landlady’s eyes were hardly opened even by the exposure that cost her dear. Several writers for the press were brought into relations with him through a well-known author, who has to confess that he allowed his honesty to be deceived. When urged to search closer into Benson’s antecedents, he was content to let himself be put off with audacity. “Go to the French Ambassador!” exclaimed that plausible knave; but no such inquiry was carried out; and his most solid credentials were from a London bank, that knew nothing of him but his having a considerable balance to draw upon.