With regard to this nothing is certain, except in respect to eight stones, which stretched across the entrance of the choir, and may consequently be called the choir screen. Of the four on the right hand side only one has fallen, but it is still there; on the left hand only two remain, and only one is standing, but the design is perfectly clear. The two central stones are 6 feet high, and the stones fall off by regular gradation right and left to 3 feet at the extremities. They are rude unhewn Sarsen stones, but there is nothing to indicate whether they were, or were not, a part of the original design.

Beyond this, between the two great Sarsen circles, there exist some nine or ten stones, but whether they are in _situ_ or not, or whether they were ever more numerous, it seems impossible to determine. On the left hand, near the centre, are a pair that may have been a trilithon, but the rest are scattered so unsymmetrically that it would be dangerous to hazard any conjecture with regard to their original arrangement. It seems, however, most improbable that while the choir screen is so nearly entire even now, that this circle, if it ever existed, should have been so completely destroyed. Had it been complete, it would probably have consisted of 40 stones (excluding, of course, the choir screen), and of these only 10, if so many, can be said to belong to it. These are rude unhewn stones, and of no great dimensions.

Rude Stone Monuments in All Countries — Part 80

In addition to these, there are two stones now overthrown lying inside the vallum, unsymmetrically with one another, or with anything else. Here again the question arises, were there more? There is nothing on the spot to guide us to our answer, and as nothing hinges upon it, I may perhaps be allowed to suggest that each of these marks a secondary interment. At the foot of each, I fancy urns or bones, or some evidence of a burial might be found, and if the place had continued for a century as a burying place, it might have been surrounded by its circle of stones, like Avebury, or Crichie, or Stanton moor. The place, however, may have become deserted shortly after these two were erected, and none have been added since.

Rude Stone Monuments in All Countries — Part 80

There are still two other stones, one standing, one lying in the short avenue that leads up to the temple. Their position is exactly that of the two stones, which are all that is visible of the so-called Beckhampton avenue, at Avebury. But what their use is it is difficult to guess. Were either of the places temples, they would have been placed opposite one another on each side of the avenue, so that the priests in procession and people might pass between, but being placed one behind the other in the centre of the roadway, they must have had some other meaning. What that may have been I am unable to suggest. The spade may tell us if judiciously applied, but except from the spade I do not know where to look for a solution of the riddle.

Rude Stone Monuments in All Countries — Part 80