Thence in 1824 she departed for the Crimea, where she had resolved to start a colony on the plan of the Moravian settlements, and there died before accomplishing her intention.
It was in 1817, when she was conducting her apostolic progress along the Rhine, that she and Margaretta of Wildisbuch met. Apparently the latter made a deeper impression on the excitable baroness than had the holy Julianne on Margaretta. The two aruspices did not laugh when they met, for they were both in deadly earnest, and had not the smallest suspicion that they were deluding themselves first, and then others.
The meeting with the Krüdner had a double effect. In the first place, the holy Julianne, when forced to leave the neighbourhood by the unregenerate police, commended her disciples to the blessed Margaret; and, in the second place, the latter had the shrewdness to perceive, that, if she was to play anything like the part of her fellow-apostle, she must acquire a little more education. Consequently Margaret took pains to write grammatically, and to spell correctly.
The result of the commendation by Saint Julianne of her disciples to Margaret was that thenceforth a regular pilgrimage set in to Wildisbuch of devout persons in landaus and buggies, on horse and on foot.
Some additional actors in the drama must now be introduced.
Magdalena Peter, the fourth daughter of John Peter, was married to the cobbler, John Moser. The influence of Margaret speedily made itself felt in their house. At first Moser's old mother lived with the couple, along with Conrad, John Moser's younger brother. The first token of the conversion of Moser and his wife was that they kicked the old mother out of the house, because she was worldly and void of "saving grace." Conrad was a plodding, hard-working lad, very useful, and therefore not to be dispensed with. The chosen vessels finding he did not sympathise with them, and finding him too valuable to be done without, starved him till he yielded to their fancies, saw visions, and professed himself "saved." Barbara, also, married to the blacksmith Baumann, was next converted, and brought all her spiritual artillery to bear on the blacksmith, but in vain. He let her go her own way, but he would have nothing himself to say to the great spiritual revival in the house of the Peters. Barbara, not finding a kindred soul in her husband, had taken up with a man of like soaring piety, a tailor, named Hablützel.