The editor of the pamphlet betrayed rather too much of the Oriental manner of judging woman, even while showering generous praise upon one typical woman. In a letter to the authorities Yuko had spoken of a family claim, and this was criticised as a feminine weakness. She had, indeed, achieved the extinction of personal selfishness, but she had been "very foolish" to speak about her family. In some other ways the book was disappointing. Under the raw, strong light of its commonplace revelations, my little sketch, "Yuko," written in 1894, seemed for the moment much too romantic. And yet the real poetry of the event remained unlessened,--the pure ideal that impelled a girl to take her own life merely to give proof of the love and loyalty of a nation. No small, mean, dry facts could ever belittle that large fact.
The sacrifice had stirred the feelings of the nation much more than it had touched my own. Thousands of photographs of Yuko and thousands of copies of the little book about her were sold. Multitudes visited her tomb and made offerings there, and gazed with tender reverence at the relics in Makkeiji; and all this, I thought, for the best of reasons. If commonplace facts are repellent to what we are pleased, in the West, to call "refined feeling," it is proof that the refinement is factitious and the feeling shallow. To the Japanese, who recognize that the truth of beauty belongs to the inner being, commonplace details are precious: they help to accentuate and verify the conception of a heroism. Those poor blood-stained trifles--the coarse honest robes and girdle, the little cheap purse, the memoranda of a visit to the pawnbroker, the glimpses of plain, humble, every-day humanity shown by the letters and the photographs and the infinitesimal precision of police records--all serve, like so much ocular evidence, to perfect the generous comprehension of the feeling that made the fact. Had Yuko been the most beautiful person in Japan, and her people of the highest rank, the meaning of her sacrifice would have been far less intimately felt. In actual life, as a general rule, it is the common, not the uncommon person who does noble things; and the people, seeing best, by the aid of ordinary facts, what is heroic in one of their own class, feel themselves honored. Many of us in the West will have to learn our ethics over again from the common people. Our cultivated classes have lived so long in an atmosphere of false idealism, mere conventional humbug, that the real, warm, honest human emotions seem to them vulgar; and the natural and inevitable punishment is inability to see, to hear, to feel, and to think. There is more truth in the little verse poor Yuko wrote on the back of her mirror than in most of our conventional idealism:--