Black Caesar (stylized as Black Cæsar and released theatrically in the UK as Godfather of Harlem) is a 1973 American blaxploitation crime drama film written and directed by Larry Cohen and starring Fred Williamson, Gloria Hendry and Julius Harris. It features a musical score (Black Caesar) by James Brown (with heavy input from his bandleader Fred Wesley), his first experience with writing music for film. A sequel titled Hell Up in Harlem was released in late 1973.
Plot
Tommy Gibbs (Fred Williamson) is an African-American who grew up in Harlem, New York City. As a kid, he was brutally assaulted by a cop named McKinney. The incident led him to a life of crime. As an adult, he joins the New York mafia and becomes the head of a black crime syndicate in Harlem. He wages a gang war with the Italian mobsters of New York City and begins to establish a criminal empire, keeping a ledger book of all his dealings as leverage over his business associates, including McKinney.
He meets and falls in love with a singer named Helen (Gloria Hendry) and marries her. She is unhappy as he is violent and rapes her. Eventually his enemies conspire with her, leading to an attempt on his life that leaves him shot and wounded. Killing his would-be assassins, he returns to his office to retrieve the ledger book. McKinney meets him there and attempts to humiliate him before killing him. Tommy overpowers McKinney and beats him to death. Retrieving the ledger, a badly wounded Tommy returns to the house where he grew up, but a street gang attacks, robs and, presumably, kills him.
Cast
Fred Williamson as Tommy Gibbs
Omer Jeffery as Young Tommy Gibbs
Gloria Hendry as Helen Bradley
Art Lund as Captain Jack McKinney
D'Urville Martin as Reverend Rufus
Julius Harris as Mr. Gibbs
Minnie Gentry as Mama Gibbs
Philip Roye as Joe "The Brain" Washington
Michael Jeffery as Young Joe Washington
William Wellman Jr. as Alfred Coleman
James Dixon as "Irish" Bryant
Val Avery as Cardoza
Patrick McAllister as Grossfield
Don Pedro Colley as "Crawdaddy" Myrna Hansen as Virginia Coleman
Production
The film script was originally commissioned by Sammy Davis Jr. According to Larry Cohen, Davis "wanted to do a picture in which he was the star, instead of being a flunky to Frank Sinatra and Dean Martin. So I suggested that they do a gangster movie like Little Caesar, since he was a little guy, and so was Jimmy Cagney, and so was Edward G. Robinson. And I thought he could play a little hoodlum working his way up in the Harlem underworld."
Cohen wrote a treatment for $10,000 but when he finished Davis could not pay due to some trouble with the Internal Revenue Service. Then Cohen was approached by Samuel Z. Arkoff of American International Pictures, who were interested in doing an action film that could star a black actor. Cohen produced the treatment he had written for Davis and AIP agreed to finance.
Most of the film was shot in New York although some interiors were filmed in Los Angeles.
Fred Williamson was cast in the lead. Cohen says, "Fred was totally different than what Sammy would have played, because Fred was a handsome leading man. He looked great in the clothes, and he looked great in that hat that I put on him. And he could strut through Harlem, and he looked like the Godfather of Harlem."
Myrna Hansen, who was crowned Miss U.S.A of 1953, was cast by Cohen. They had been neighbors for years when he offered her the role of Virginia Coleman. She would later say that being in that film qualified her for a significant pension increase by the Screen Actors Guild.
Cohen says when he filmed in Harlem the local gangsters threatened to disrupt the shoot unless they were paid off. He offered them small roles in the film instead. "These guys were great," he said. "Anything we wanted, anything we needed to get, they got for me. We kind of owned Harlem after that. And then when the picture finally opened, I put them in the poster too, so that the advertisements in the paper had these guys in it. And opening day at the Cinerama Theater on Broadway, these gangsters were down there in front of the theater signing autographs."
The Harlem film sequence was directed by James Signorelli, later to go on to producing films on Saturday Night Live.