"Good boy! Good for you," cheered the self-made Barbarians, and drank success to the absent disseminator of hardware.

With much loud talk of this unedifying character the dinner progressed to an end; through _selle d'agneau_, floated in '84 champagne, terrapin convoyed by a special Madeira of 1850, and canvas-back duck with _Romanee Conti_, 1865, to a triumphant finale of Turkish coffee and 1811 brandy.

The Spenders — Part 86

After dinner the ladies gossiped of New York society, while the barbaric males smoked their big oily cigars and bandied reminiscences. Higbee showed them through every one of the apartment's twenty-two rooms, from reception-hall to laundry, manipulating the electric lights with the skill of a stage-manager.

The Spenders — Part 86

The evening ended with a cake-walk, for the musical artists had by rare wines been mellowed from their classic reserve into a mood of ragtime abandon. And if Monsieur the Baron with his ceremonious grace was less exuberant than the Crown Prince of Cripple Creek, who sang as he stepped the sensuous measure, his pleasure was not less. He joyed to observe that these men of incredible millions had no hauteur.

The Spenders — Part 86

"I do not," wrote the baron to his noble father the marquis, that night, "yet understand their joke; why should it be droll to wish that the man whose coat is of the best should also wear boots of the best? but as for what they call _une promenade de gateau_, I find it very enjoyable. I have met a Mlle. Bines to whom I shall at once pay my addresses. Unlike Mlle. Higbee, she has not the father from Chicago nor elsewhere. _Quel diable d'homme!_"

To reward the enduring who read politely through the garish revel of the preceding chapter, covers for fourteen are now laid with correct and tasteful quietness at the sophisticated board of that fine old New York family, the Milbreys. Shaded candles leave all but the glowing table in a gloom discreetly pleasant. One need not look so high as the old-fashioned stuccoed ceiling. The family portraits tone agreeably into the halflight of the walls; the huge old-fashioned walnut sideboard, soberly ornate with its mirrors, its white marble top and its wood-carved fruit, towers majestically aloft in proud scorn of the frivolous Chippendale fad.