“Son! Dear one!” shrieked an old crone in a plaided wool skirt of South Russian fashion, stretching out her hands. “Stop, for Christ’s sake! Dear boy, stop it--you’ll kill yourself!”

And her dear son suddenly threw back his head, clenched his fists and his teeth, and, with fury in his countenance and his trampling, screeched through his teeth:

The Village — Part 80

“Tztzytz, good woman, shut your mouth with that cuckoo song.”

The Village — Part 80

“And she has just sold the last bit of her home-made linen for him,” remarked Menshoff, as they crawled slowly across the pasture land. “She loves him passionately. She’s a widow. He raps her over the mouth when he is drunk. Of course, she deserves it.”

The Village — Part 80

“What do you mean by that--‘she deserves it.’?” inquired Kuzma.

“Because she does. You shouldn’t be too indulgent--”

Yes, in the town, in the railway carriages, in the hamlets, in the villages, everywhere, one could feel the presence of something unusual, the echoes of some great festival, some great victory, great expectations. But back there in the suburb Kuzma had already realized that the farther one went into those limitless fields, beneath that cold, gloomy sky, the duller, the more irrational, the more melancholy would those echoes become. Now they had driven away, and the shouts in the crowd about the dram-shop had again become pitiful. There they were keeping festival and trying to “celebrate,” but ahead lay boredom, remote wilds, an empty street, smoky chimneyless hovels, water-casks with putrid pond water, and then more fields, the blue mist of the chilly distance, the dark forest on the horizon, low-hanging storm-clouds.

At one cottage--it had a broken window and a wheel on the rotten roof--a long-legged, ailing peasant sat on a bench. People look handsomer in their coffins than he looked in life. He resembled the poet Nekrasoff. Over his shoulders, above a long and soiled shirt of hemp crash, was thrown an old short sheepskin coat; his stick-like legs stood in felt boots; his huge dead-looking hands lay evenly spaced on his sharp knees, upon his ragged trousers. His cap was pulled far down on his forehead, after the fashion of old men; his eyes were suffering, entreating; his superhumanly meagre and emaciated face was drawn down, his ashen lips half open.