No other art is able to inflict such merciless suffering! Under the name of music we are afflicted with every variety of noise, including the hand organ, the bagpipes, the German band, the man who toots the cornet in the street, the harp man, the lady who has seen better days and who sings before our house in the evening, the active piano-organ invented by a heartless genius, the musical box and all its amazing progenies, the gramophone and the pianola. Not to mention the millions of pianos and the millions of fiddles that never cease being thumped and scratched all the world over night and day. The contemplation of such collective discord is truly appalling.

Unfortunately for us we live in an inventive and imitative age, and one is inclined to think that the devil is the patron saint of inventors, or why has the blameless spinet waxed great and blossomed into a piano? Why should the resources of a modern orchestra be at the disposal of every infant whose mistaken mother plumps it down on the piano-stool and lets it thump the keys to keep it quiet! One would so much rather hear its natural shrieks than that other noise which is supposed to be a harmless substitute! Why music, of all the fine arts, with its power for inflicting untold anguish, should be the most common, passes my understanding.

The Champagne Standard — Part 101

The printed page is undoubtedly long-suffering, but it is silent. It is of course true that to be an author, nothing is necessary but a sheet of paper and a pencil, but I defy the most energetic author to read his work to ears that refuse to hear. Now with music it is different, one simply _can't_ get away from it, because cruel inventions--I do not think I am exaggerating?--have brought its exercise within reach, I will not say of the poor only, for the thumping of the rich and great is equally horrid, but of the mistaken poor.

The Champagne Standard — Part 101

I do not urge that the infant mind, in the process of being cultivated, should be turned to literature, for it is bad enough already owing to benevolent publishers who, in the praiseworthy desire not to allow any light to be hidden under a bushel, emulate each other in trying to illuminate the world with farthing tallow-dips! It would, indeed, be ghastly to listen to the literary outpourings of every infant one met, and equally ghastly never to be able to flee from the rendering of masters of literature as interpreted by the intellect of three years up. Thank heaven, we are spared this in literature if not in music, but, I ask, if we must have a fine art to trifle with, why not take to painting? Painting is _so_ inoffensive.

The Champagne Standard — Part 101