When a writer has a true story to tell, he should scorn to turn it into a sort of puzzle toy, after the manner of those novelists who take their reader for a walk through one cavern after another to show him a dried-up corpse at the end of the fourth volume, and inform him, by way of conclusion, that he has been frightened all along by a door hidden somewhere or other behind some tapestry; or a dead body, left by inadvertence, under the floor. So the present chronicler, in spite of his objection to prefaces, felt bound to introduce his fragment by a few remarks.

_Ferragus_, the first episode, is connected by invisible links with the history of the Thirteen, for the power which they acquired in a natural manner provides the apparently supernatural machinery.

The Thirteen — Part 6

Again, although a certain literary coquetry may be permissible to retailers of the marvelous, the sober chronicler is bound to forego such advantage as he may reap from an odd-sounding name, on which many ephemeral successes are founded in these days. Wherefore the present writer gives the following succinct statement of the reasons which induced him to adopt the unlikely sounding title and sub-title.

The Thirteen — Part 6

In accordance with old-established custom, _Ferragus_ is a name taken by the head of a guild of _Devorants_, _id est Devoirants_ or journeymen. Every chief on the day of his election chooses a pseudonym and continues a dynasty of _Devorants_ precisely as a pope changes his name on his accession to the triple tiara; and as the Church has its Clement XIV., Gregory XII., Julius II., or Alexander VI., so the workmen have their Trempe-la-Soupe IX., Ferragus XXII., Tutanus XIII., or Masche-Fer IV. Who are the _Devorants_, do you ask?

The Thirteen — Part 6

The _Devorants_ are one among many tribes of _compagnons_ whose origin can be traced to a great mystical association formed among the workmen of Christendom for the rebuilding of the Temple at Jerusalem. _Compagnonnage_ is still a popular institution in France. Its traditions still exert a power over little enlightened minds, over men so uneducated that they have not learned to break their oaths; and the various organizations might be turned to formidable account even yet if any rough-hewn man of genius arose to make use of them, for his instruments would be, for the most part, almost blind.