A deep settled gloom came over Charles's countenance--a calm impressive look of despair. He took both Julie's hands in his, and pressed them twice to his lips. "Cruel girl!" he said, in a low voice, which He strove to command to steadiness; "you love me less than I thought. Hear me," he continued, seeing her about to speak, "hear me to the end; for your reply will be my doom. I am not rash, but I can never live without you. My fate is on your lips. Am I to live or die? for within an hour after you have quitted me, I shall have ceased to exist. Speak, Julie! Do you bid me die? for that is the alternative."

Julie gazed on him for a moment, as if she scarcely comprehended the import of his words; and then again hid her eyes upon his shoulder and wept. "Speak, speak, Julie!" cried Charles.

The Desultory Man — Part 59

"What would you have me say?" she asked. "You force me to do what I think wrong. How can I refuse what you wish, when such is the alternative? Oh! Charles, it is you that are cruel now!"

The Desultory Man — Part 59

Charles caught eagerly at the concession. He thanked her again and again; and he seemed so happy, that Julie could scarce repent that she had yielded. Yet still she would have lingered; and as Charles led her gently on towards the spot where his carriage stood, he was obliged to display a thousand reasons to prove to her that she was doing right; for, at every step she hung back; and though she wished much to believe herself justified, yet still the tears trickled down her cheeks, and her eyes dared not rise from the ground. But hesitation was now too late, and in a few minutes she was on the way to Paris.

The Desultory Man — Part 59

During their whole journey, Charles's conduct was a course of quiet respectful attention. He strove to soothe Julie's mind; he sought to amuse it, but he never suffered any gaiety to jar with the sorrowful tone of her feelings. He seemed to feel, as painfully as she did, the want of her father's approbation, but he endeavoured to oppose to that the bright prospect of their future happiness. He spoke of quitting all the luxuries of Paris for the sole delight of her society; to let their lives glide away in some beautiful part of the country, love gilding with its sunshine even the winter of their days. In short, he called up all the dreams that man is wont to form in the brighter stage of his existence, when young imagination fashions out every distant object into some fair shape of its own; and so well did he image his wishes as hopes, and paint his hopes as certainties, that Julie suffered her mind to be carried a stage beyond reality, and forgot the uncomforts of the present in the bright future which he depicted.