The reputation of my father’s catoptric apparatus was not, it appears, confined to those interested in the welfare of the seaman. In 1819, Mr. Stevenson was waited on by a gentleman passing hurriedly through Edinburgh, who came on behalf of Mr. Harris, the manager of Covent Garden Theatre, who was desirous to try catoptric apparatus for certain stage effects which he intended to introduce in London. The proposal seems rather to have taken the Lighthouse Engineer by surprise, but on learning that the gentleman who had favoured him with a call was Mr. Benson, the famous singer of the day, he wrote the following letter to Mr. Harris:--

“I had some conversation with Mr. Benson of your theatre on the day he proposed to leave this for London. The purpose of his visit to me was to inquire about the reflectors we used in the lighthouses upon this coast, which are under my direction, as he had some plan in view for dispensing with the _footlights_ on the stage by the introduction of reflected light.

Life of Robert Stevenson — Part 39

“Being desirous to give every facility to Mr. Benson’s views, I offered him the loan of a reflector, which I showed him; but from his being on the eve of setting off, and wishing to keep the discovery, if practicable, for your theatre, I agreed to send it to you at Covent Garden, and this letter is to acquaint you that a case containing the reflector and its burner was shipped to your address.

Life of Robert Stevenson — Part 39

“You are to understand that there is no charge whatever to be made; I only request that the reflector may be returned when you have made your trials. I no sooner learned that I conversed with the gentleman who sings so delightfully in ‘Rob Roy’ than I felt an irresistible inclination to oblige him.

Life of Robert Stevenson — Part 39

“Wishing you every success in the projected improvement in lighting the stage, I remain,” etc.

The reflector was duly returned by Mr. Harris. The note intimating its shipment says--“It is an excellent reflector, but it collects the light too much in one spot for our use; I mean, it does not spread the light sufficiently about.”

I mention this small matter, not so much because the manager of Covent Garden Theatre came to Edinburgh to get his information, but to show that Mr. Harris’s experiment, made in 1819, foretold the result of all trials that have since been made to light railway stations, public gardens, and parks, by using lighthouse apparatus, which is designed to _condense_ the rays of light, and not to _diffuse_ them, and is therefore inapplicable for such purposes.