She sat in the handsomely appointed dining-room of the apartment on Fifty-seventh Street which she and her mother had occupied for the past two years. The room, paneled in dull ivory, provided a perfect setting for the girl's unusual beauty. In her kimono of Nile green and gold, she presented a figure of such compelling charm that Nora, her maid, as she removed the empty coffee-cup, sighed to herself, if not with envy, at least with regret, that the good God had not made _her_ along lines that would insure an income of over fifty thousand dollars a year.

Ruth sliced open half a dozen more letters with her ivory paper knife and prepared to drop them into the waste basket. One was from a manufacturer of cold cream, soliciting a testimonial. Two others were from ungrammatical school girls, asking her how they should proceed, in order to become motion picture stars. Another was an advertisement of a new automobile. The fifth requested an autographed picture of herself. She swept the five over the edge of the table with a sigh of relief. How stupid of all these people, she thought, to take up their time, and her own, so uselessly.

The Film of Fear — Part 2

The sixth letter, from its external appearance, might readily have been of no greater interest than the other five, and yet, something intangible about it caused her to pause for a moment before inserting the point of the knife beneath the flap of the envelope. It was a large envelope, square, formal-looking. The address upon it was typewritten. Unlike the majority of the other letters, forwarded from the studio, it bore the street and number of the apartment house in which she lived. The envelope was postmarked New York, and was sealed with a splotch of black sealing wax, which, however, contained the imprint of no monogram or seal, but was crossed both vertically and horizontally by a series of fine parallel lines, dividing its surface into minute squares.

The Film of Fear — Part 2

Ruth observed these several peculiarities of the letter she was about to open, with growing interest. The usual run of her correspondence was so dull and uninteresting that anything out of the ordinary was apt to attract her attention. Slipping the ivory blade of the paper knife quickly beneath the flap of the envelope, she cut it open.

The Film of Fear — Part 2