Everybody Sing is a 1938 American musical comedy film directed by Edwin L. Marin, and starring Allan Jones, Judy Garland and Fanny Brice, and featuring Reginald Owen and Billie Burke. The screenplay and story by Florence Ryerson and Edgar Allan Woolf had additional work by James Gruen and Milton Merlin with uncredited contributions from Bert Kalmar, Harry Ruby and Dalton Trumbo.
A modest box office success, the film was a significant step in Garland's career, boosting her stardom and securing her perhaps her best known role in The Wizard of Oz the following year.
Plot
Young Judy Bellaire (Judy Garland) has trouble fitting in at school, causing trouble by introducing her jazzy style into music class and being expelled as a result. Returning home to her dysfunctional and financially challenged family, where her frustrated playwright-father (Reginald Owen), ditzy actress-mother (Billie Burke), and beautiful elder sister, Sylvia (Lynne Carver) compete for attention along with the funny Russian maid, Olga (Fanny Brice) and the hunky singing cook, Ricky (Allan Jones), who is not-so-secretly in love with Sylvia. Judy Garland foils her father's attempt to ship her off to Europe by escaping from the ship and then trying out for a musical show as a blackface singer, taking advantage of her love of jazz to enchant the show's producer, who hires her and makes her a star of his new show. Meanwhile, Ricky cuts a record, musically expressing his love for Sylvia. Nevertheless, Sylvia is forced into engagement with another man.
When the distraught parents discover their younger daughter is appearing in a musical show, Sylvia rejoins her love, who is also appearing in the show. Finally, all the cast members are reunited, including Olga, who finds her lost love, Boris. The film's happy ending includes an extravagant stage piece with gorgeously attired chorus girls, happily reunited parents and child, and the happy kiss between Sylvia and Ricky, who is now the producer of a successful musical show.
Cast
Allan Jones as Richard "Ricky" Saboni
Judy Garland as Judy Bellaire
Fanny Brice as Olga Chekaloff
Reginald Owen as Hillary Bellaire
Billie Burke as Diana Bellaire
Reginald Gardiner as Jerrold Hope
Lynne Carver as Sylvia Bellaire
Helen Troy as Hillary's secretary
Monty Woolley as John "Jack" Fleming
Adia Kuznetzoff as Boris, the bus driver
Henry Armetta as Signor Giovanni Vittorino, Cafe Nappo
Michelette Burani as Madame Le Brouchette
Mary Forbes as Miss Colvin
Music
"The One I Love" (Bronisław Kaper, Walter Jurmann and Gus Kahn) "(Down On) Melody Farm" (Kaper, Jurmann and Kahn) "Swing Mr. Mendelssohn"(Kaper, Jurmann and Kahn) "The Show Must Go On" (Kaper, Jurmann and Kahn) "Cosi-Cosa"(Kaper and Jurmann) "Quainty, Dainty Me" (Bert Kalmar and Harry Ruby) "Snooks (Why? Because!)" (Kalmar and Ruby)
The "Snooks" number is based on the character "Baby Snooks" played on Broadway and on the radio by Brice. The St. Brendan's Boys Choir, directed by Robert Mitchell, provided the singing voices for the schoolgirl chorus that backs Judy on her numbers.
The musical performances were staged by Dave Gould, except for "Quainty, Dainty Me", staged by Seymour Felix; the dance director was Val Raset. Brice's dancing was doubled by Iola Cochran.
Production
Working titles were The Ugly Ducking – a reference to Garland's character – and Swing Fever. Principal photography took place from September 2–3, and then late September to December 21, 1937. Reshoots took place January 8–10, 1938.
After a stalled career, this was one of the films marking the picking up of momentum in Garland's ascent to stardom. Following the sensational audience reaction to her performance of "You Made Me Love You" to a picture of Clark Gable in Broadway Melody of 1938 (1937), she was rushed into shooting two films back to back, Thoroughbreds Don't Cry (1937) and this film, which was held for later release.
Everybody Sing was Jones' final MGM film, and the first MGM contract for Woolley.
According to TCM.com: As important as the film itself in the development of Garland's career was a seven-week, seven-city promotional tour that started in Miami Beach and included stops in New York and Chicago. With Garland mentor Roger Edens accompanying her on the piano, she stepped alone for the first time onto huge stages to sing in front of adoring crowds and began to establish the audience rapport that would, in time, make her one [of] the world's greatest live entertainers.