Religion therefore, which as it first appeared in art-worship had yet to realise its essential inwardness or spirituality, so has now to overcome the antithesis in which its (the religious) consciousness stands to the secular. For the peculiarly religious type of mind is distinguished by an indifference and even hostility, more or less veiled, to art, to morality and the civil state, to science and to nature. Strong in the certainty of faith, or of its implicit rest in God, it resents too curious inquiry into the central mystery of its union, and in its distincter consciousness sets the foundation of faith on the evidence of a fact, which, however, it in the same breath declares to be unique and miraculous, the central event of the ages, pointing back in its reference to the first days of humanity, and forward in the future to the winding-up of the business of terrestrial life. Philosophy, according to Hegel's conception of it, does but draw the conclusion supplied by the premisses of religion: it supplements and rounds off into coherence the religious implications. The unique events in Judea nearly nineteen centuries ago are for it also the first step in a new revelation of man's relationship to God: but while it acknowledges the transcendent interest of that age, it lays main stress on the permanent truth then revealed, and it insists on the duty of carrying out the principle there awakened to all the depth and breadth of its explication. Its task--its supreme task--is to _explicate religion_. But to do so is to show that religion is no exotic, and no _mere_ revelation from an external source. It is to show that religion is the truth, the complete reality, of the mind that lived in Art, that founded the state and sought to be dutiful and upright: the truth, the crowning fruit of all scientific knowledge, of all human affections, of all secular consciousness. Its lesson ultimately is that there is nothing essentially common or unclean: that the holy is not parted off from the true and the good and the beautiful.
Religion thus expanded descends from its abstract or "intelligible" world, to which it had retired from art and science, and the affairs of ordinary life. Its God--as a true God--is not of the dead alone, but also of the living: not a far-off supreme and ultimate Being, but also a man among men. Philosophy thus has to break down the middle partition-wall of life, the fence between secular and sacred. It is but religion come to its maturity, made at home in the world, and no longer a stranger and a wonder. Religion has pronounced in its inmost heart and faith of faith, that the earth is the Lord's, and that day unto day shows forth the divine handiwork. But the heart of unbelief, of little faith, has hardly uttered the word, than it forgets its assurance and leans to the conviction that the prince of this world is the Spirit of Evil. The mood of Théodicée is also--but with a difference--the mood of philosophy. It asserts the ways of Providence: but its providence is not the God of the Moralist, or the ideal of the Artist, or rather is not these only, but also the Law of Nature, and more than that. Its aim is the Unity of History. The words have sometimes been lightly used to mean that events run on in one continuous flow, and that there are no abrupt, no ultimate beginnings, parting age from age. But the Unity of History in its full sense is beyond history: it is history "reduced" from the expanses of time to the eternal present: its thousand years made one day,--made even the glance of a moment. The theme of the Unity of History--in the full depth of unity and the full expanse of history--is the theme of Hegelian philosophy. It traces the process in which Mind has to be all-inclusive, self-upholding, one with the Eternal reality.