"But, my dear sir, these authors whom you decry, do not _create_ vice, they only _exhibit_ it; and though I do not advocate the practice, yet after all it would seem that men need not be much worse for _reading_, than for hearing and seeing what is exceptionable. If infidelity and immorality were only propagated by books, your argument against such writers as Lord Byron would be unanswerable. But allow me to say, that the Bible itself, in the strongest terms, insists on the depravity of the human species, and offers the most flagrant illustrations in proof of human delinquency. The hardness of heart, and unbelief of man, are frequently held up to view in Holy Writ; and what does a Rochefaucauld in prose, or a Byron in verse, do more than represent things as they _are_?"

"If you consider the matter for a moment," replied my opponent, "I fancy that you will be at no loss to discover some striking differences which will sufficiently answer your question. The evil tendency of such writers as Rochefaucauld, and all the class of satirists, who represent man as a debased and hypocritical animal, does not proceed from the truth of the picture, but from the manner of the painter. The scriptures indulge us in no 'lying vanities;' they speak of the human race as born in sin and the children of wrath; and Conscience, when we attend to her voice, confirms the humiliating charge, with uncompromising fidelity. But while the Bible, and those who preach its doctrines, point out the disease, they likewise present the antidote. If they proclaim the deformity of the natural man, it is to shew how the crooked may be made straight; if they expose his weakness, it is to impart strength; if they display his corruption, it is but to invite him to wash in those waters which cleanse from all impurity. But such moralists as you support, if moralists they can be called without absurdity, would seem intent on excusing vice. The effect of their books is, as it were to _legalize_ iniquity, by representing it as invincible, and to destroy all sense of shame by laying bare its concealments. Whatever produces this result by means of a pungent and sententious brevity, is doubly injurious; for the authority of a maxim is thus combined with the stimulus of evil: the form is thus rendered portable and adhesive; and truths conveyed in an epigrammatic shape at once flattering to our sagacity in an appeal to its accuteness, and soothing to our faults by pronouncing them to be universal, are not likely to be viewed as subjects for serious lamentation; and the danger is, that the generality of men will contemplate the moral sketches with feelings similar to those commonly inspired by a spirited cariacature; namely, a desire that the object of ridicule may continue to exist, rather than not be so strikingly pourtrayed. As to Lord Byron, who stands pre-eminent, like Milton's Satan, at the head of all the mischief-workers of the present time, his poison is of another kind: slow and penetrating, it is inhaled in the breeze, and absorbed into the circulation; its effects are of the morbid class; it seduces, it insinuates, and, like opium too freely used, destroys every healthful function of the mind, and substitutes the distempered energy of an over-wrought imagination for the wholesome exercise of reason and the sweet charities of the heart. His beautiful poetry, and an inexhaustible source of talents, rare as they were brilliant, operate as cords which draw all mankind after him in bonds of submission. Descriptions of nature or character, external to ourselves, however happy in their delineation, interest but feebly in comparison with what you justly call the '_metaphysics_' of sentiment. This is the most fascinating of all possible studies; it requires no labour, it asks no preparation; and all people, whatever their pretensions in other respects, conceive themselves qualified for the school of mental analysis which Byron has instituted and endowed. A bad husband, a bad son, a bad father, has but to retire to some 'rose-leaf couch, where, nursing his dainty loves and slothful sympathies,' he may find, in a volume of this too-attractive bard, an apology for every sin of temper, every violation of duty; nay, so contagious is the influence of this Byron-mania, that our young men _cultivate_ the failings of their chief, and seem to fancy that in becoming imitators of Childe Harold's eccentricities, they may slide into his unrivalled genius. Selfishness and egotism are to be found in the fallows of many a mind; but where are our youth to learn Lord Byron's recipe for compounding them?"

Blue-Stocking Hall, Vol. 1 (of 3) — Part 48