The pity of it all is the appalling waste among asps of brains, inventive faculty, and humour. If only their gifts were used to some laudable or even only innocent purpose, the world in general would gain a great deal of entertainment, and the asps of the popularity and success that they secretly crave for. As it is, some sort of moral ptomaine has infected them, some invasion of microbes that turns their wit into poison. Whatsoever things are loathsome, whatsoever things are of ill report, they think of those things. All their wit, too, goes to waste: nobody cares two straws what they say, and the bitten are pathetically unconscious of having received any injury whatever. That fact, perhaps, if they could thoroughly realise it, might draw their fangs.
Constance Lady Whittlemere lives in a huge gloomy house in the very centre of Mayfair, has a majestic appearance, and is perfectly ready for the Day of Judgment to come whenever it likes. From the time when she learned French in the school-room (she talks it with a certain sonorous air, as if she was preaching a sermon in a cathedral) and played Diabelli’s celebrated duet in D with the same gifted instructress, she has always done her duty in every state of life. If she sat down to think, she could not hit upon any point in which she has not invariably behaved like a Christian and a lady (particularly a lady). Yet she is not exactly Pharisaical; she never enumerates even in her own mind her manifold excellences, simply because they are so much a matter of course with her. And that is precisely why she is so perfectly hopeless. She expects it of herself to do her duty, and behave as a lady should behave, and she never has the smallest misgiving as to her complete success in living up to this ideal. That being so, she does not give it another thought, knowing quite well that, whoever else may do doubtful or disagreeable things, Constance Whittlemere will move undeviatingly on in her flawless courses, just as the moon, without any diminution of her light and serenity, looks down on slums or battle-fields, strewn with the corpses of the morally or physically slain. And Lady Whittlemere, like the moon, does not even think of saying, ‘Poor things!’ She is much too lunar.