[Footnote 1: In 1419, John Duke of Burgundy, and the Dauphin, against whom he had taken part during the troubles of France, agreed to a reconciliation. "An interview was fixed to take place on the bridge of Montereau-sur-Yonne, where a total amnesty was to be concluded, to be followed by an union of arms and interests. Every precaution was taken by the duke for his safety; a barrier was erected on the bridge; he placed his own guard at one end, and advancing with only ten attendants, threw himself on his knees before the Dauphin. At this instant Tannegui de Chastel, making the signal, leaped the barrier with some others, and giving him the first blow, he was almost immediately despatched. Though the Dauphin was in appearance only a passive spectator of this assassination, there can be no doubt that he was privy to its commission."--_Wraxall's Valois_.]
From Fossard to Sens, 21 miles: the country uninteresting as far as Pont-sur-Yonne. Chapelle de Champigny affords a tolerably exact idea of a Spanish village; each farm-house and its premises forming a square, inclosed in blank walls, and opening into the street by folding gates, with hardly a window to be seen. From Pont-sur-Yonne to Sens, the road becomes more cheerful; and its fine old cathedral forms a good central object in the valley, along which the Yonne is seen winding. The principal inn at Sens being full for the night, we found neat and comfortable accommodations, with great civility, at the Bouteille. Whether there be any object worthy of notice in this cheerful little city, besides its cathedral, I do not know; but the latter possesses works of art which deserve an early and attentive visit. Nothing can be more minutely beautiful than the small figures and ornaments on the tomb of the Cardinal du Prat, which is sufficient in itself to give a character to any one church. But the grand object of interest is a large sepulchral group in the centre of the choir, to the memory of the Dauphin and his consort, the parents of Louis XVI. The grace and classical contour of this monument, which is executed by the well-known Nicholas Coustou, would excite admiration even in the studio of Canova, while the deep tone of genuine feeling displayed, particularly in the figure of Hymen quenching his torch, is worthy of the chisel of our own Chantry. Somewhat might perhaps be owing to an evening light, which cast strong mellow shades on the figures, and gave an effect of reality to the fine white marble of which they are composed; but their merits are very striking, and are quite unalloyed by the graphic bombast of which the most able French artists have been with too much truth accused. The character of the Dauphin, whose exemplary life in the midst of a corrupt court, was a tacit reproof which his haughty father could ill brook, is well known.