If there was any sort of foreshadowing of a national drama in the years 1830 to 1840, it must be sought for in the works of Douglas Jerrold. France knows little of Jerrold, who knew France so well. His was a valiant little soul; his life was one long battle--a battle against obscurity, against ill luck, against the enemies of his country, against the oppressors of the poor, last but not least, against all those whom he disliked. He belonged to that theatrical world at which I have glanced. He was the son of a provincial manager who had met with failure. In his early youth, while yet a child, one may say, he served as midshipman in the wars against Napoleon. He became a journalist later, and threw himself into the midst of politics. Whatever may be said of his caustic and aggressive temperament, he belonged, every inch of him, to that noble generation which aspired so fervently after better things, which strove so strenuously for what was right, which believed it could help humanity forward on the way to a progress without bounds. For forty years he vibrated with generous passions, and grew calm only in the presence of death, which he met like a stoic but with a simplicity not all the stoics knew. I have been brought into intimate relations with his son, who has repeated to me his last words--"This is as it should be." To fight for justice and to accept the inevitable without fear,--this was the life of a man.

_The Rent Day_ was played on January 25, 1832, that is to say, at the commencement of the memorable year which was to see the passing of the Reform Bill. It is the day upon which the rents have become due. The tenants have brought their money. There is drinking and laughing and singing, the while the heaps of crowns are exchanged for receipts,--for nothing was accomplished in England in those days without drinking, and on rent day it had been almost a disgrace not to be at least "well on." The middleman is presiding over the function. This morning he has received a letter from the young squire, thus expressed--"Master Crumbs, use all despatch, and send me, on receipt of this, five hundred pounds. Cards have tricked me and the devil cogged the dice. Get the money at all costs, and quickly.--ROBERT GRANTLEY." The middleman therefore must have no pity. There is one farmer who cannot pay; his brother the schoolmaster comes to plead for him. He himself is too poor to lend--

The English Stage — Part 28