The hall was cool. We ordered coffee and buttered toast. But the butter was rancid, for we had crossed the geographical line, almost as important as the equator, below which butter is not, and oil must take its place.

Four children, making a lot of noise over it, were in the hall, playing a game peculiarly Spanish. The smallest boy, who always had the dirty work to do, carried flat in front of him a board, to the end of which were fixed a pair of bull's horns. He dashed these at his comrades in short straight rushes. Two of the other boys carried pieces of red cloth which they waved in front of the bull. The fourth boy carried a pair of toy banderillas, straight sticks, covered with tinted paper and pointed with a nail. As the bull rushed the "banarillero" dabbed his sticks into a piece of cork. Then they decided that the bull was to die. One of the cloak-wavers took a toy sword which he triumphantly stuck into the cork. With a moan the small boy sank on to the floor. His companions seized his heels and dragged him round the tiled floor of the hall. The game seemed to us a little tedious; later on we were to learn how like to actual bullfighting it was.

Poor Folk in Spain — Part 45

The hotel interpreter, for whom we had inquired, now came in. He spoke in French:

Poor Folk in Spain — Part 45

We wished to find a gipsy guitar-player named Blas, and we had been told that the interpreter knew his house. We feared that he might be in Madrid, where he sometimes played in the Flamenco cafés; but the interpreter said that he was in Murcia, and that we could look for him at once.

Poor Folk in Spain — Part 45

From the cool hall we stepped into the blazing sun of midday Spain, crossed an open space so dazzling that it hurt the eyes, and entered a maze of narrow, tall streets. Jan and I moved along in single file, clinging to the narrow margins of shadow which edged the houses, while the interpreter with a mere uniform cap on his head stalked imperturbably in the sunlight. Across squares we hurried as rapidly as possible to the shadow on the opposite side. The houses were orange, pink, blue or a neutral grey which set off the hue of the tinted buildings. The squares were planted with feathery trees of a green so vivid that it appeared due to paint rather than to nature.