The mother merely extended her hand to Barbara, yet the whole manner of the gentle, reserved woman showed that she was a welcome guest.
Frau Sabina loved and understood music, still enjoyed singing hymns with the members of her household, and had done everything in her power to aid the establishment of the Convivium musicum and foster its progress.
Interest in music had also united her to Dr. Martin Luther, her husband’s friend, and mane a composition of the Wittenberg ecclesiastic had first been performed at the Hiltners.
The old faith offered so much more to charm the senses than the new one! Therefore it seemed a special cause for thanksgiving that singing and playing upon the organ occupied a prominent place in the Protestant religious service, and that Luther most warmly commended the fostering of music to those who professed the evangelical belief. Besides, her adopted son Erasmus, the new Wittenberg master of arts, had devoted himself eagerly to music, and composed several hymns which, if Damian Feys permitted it, would be sung in the Convivium musicum.
Frau Sabina Hiltner had often met Barbara there, and had noticed with admiration and pleasure the great progress which this richly gifted young creature had made under the direction of the Netherland master.
Other members of the Convivium, on the contrary, bore Barbara a grudge because she remained a Catholic, and many a mother of a daughter whom Barbara, as a singer, had cast too far into the shade, would gladly have thrust her out of the circle of music-loving citizens.
Frau Sabina and Master Feys, who, like the much-envied girl, was a professor of the old faith, interceded for her all the more warmly.
Besides, it afforded Frau Hiltner scarcely less pleasure to hear Barbara than it did Martina, and she could also fix her eyes with genuine devotion upon the girl’s wonderfully beautiful and nobly formed features. The mother and daughter owed to this peerless singer the best enjoyment which the Collegium afforded them, and, when envy and just displeasure approached Frau Sabina to accuse Barbara of insubordination, obstinacy, pride, and forwardness, which were unseemly for one so young, as well as exchanging coquettish glances with the masculine members of the choir, the profoundly respected wife of the syndic and her young daughter warmly defended the persecuted girl.