"There was not a contemporary duplicate?" I inquired. "Could LEONARDO have painted two?"

The Chowder King, or whatever he is called, smiled inscrutably. "No doubt he _could_," he said. "But perhaps," he continued, "you have not seen the Louvre picture since it was put back after the theft?"

Punch, or the London Charivari, Vol. 153, Aug. 22, 1917 — Part 7

He laughed softly and led the way to the door.

Punch, or the London Charivari, Vol. 153, Aug. 22, 1917 — Part 7

Now what I want to know is, is it possible that--?

Punch, or the London Charivari, Vol. 153, Aug. 22, 1917 — Part 7

This terrible thought has been haunting me day and night.

I have asked many Americans to tell me about this collector and his methods, but I can get no exact information. But it seems to be agreed that he would stick at nothing to get a coveted work beneath his roof. If I have many more such shocks as he gave me I shall give up paint altogether and specialise in photography or the three-colour process.

Anyway, it is God's own country, and I will tell you my further adventures as I have them. Tomorrow I am to attend a reception at the White House to hear ELLA WHEELER WILCOX recite an Ode at the President.

[Illustration: _Mr. Green_. "IT DOESN'T SEEM TO ME TO LOOK QUITE RIGHT."

_Artist (engaged solely on account of shortage of labour)._ "WELL, SIR, THE PANEL WAS A BIT ON THE LONG SIDE, BUT I THOUGHT I'D SPUN THE LETTERING OUT VERY NICE."]

SCENE.--_A shell-pitted plain and a cavalry regiment under canvas thereon. It is not yet "Lights out," and on the right hand the semi-transparent tents and bivouacs glow like giant Chinese lanterns inhabited by shadow figures. From an Officers' mess tent comes the tinkle of a gramophone, rendering classics from "Keep Smiling." In a bivouac an opposition mouth-organ saws at "The Rosary." On the left hand is a dark mass of horses, picketed in parallel lines. They lounge, hips drooping, heads low, in a pleasant after-dinner doze. The Guard lolls against a post, lantern at his feet, droning a fitful accompaniment to the distant mouth-organ. "The hours I spent wiv thee, dear 'eart, are-Stan' still, Ginger--like a string of pearls ter me-ee ... Grrr, Nellie, stop kickin'!" The range of desolate hills in the background is flickering with gun-flashes and grumbling with drum-fire--the Bosch evensong.

A bay horse (shifting his weight from one leg to the other)._ Somebody's catching it in the neck to-night.