_Imaginary land_. From the age of about 4 years to about the age of 7, D was greatly interested in an imaginary land which he called "Borningtown." He spent many hours peopling Borningtown, laying out roads, drawing maps of its terrain, composing and recording its language (Bornish), and writing its history and literature. He composed a lengthy dictionary--scores of pages--of the Bornish language. The origin of the words "Borningtown" and "Bornish" is not known. It seems possible that D's imaginary land may have arisen out of the mystery of being born.
_Gift for music_. D has had piano lessons for several years, and he has displayed remarkable ability to deal with the mathematical aspects of music. A sample is shown of his musical composition, illustrating his understanding of musical symbols and his ability to interpret through this medium. He composed music before he had any instruction in playing musical instruments. He read certain booklets which came with Ampico and decided to compose. He can compose music which he cannot himself play.
FIG 4. PART OF A COMPOSITION BY D AT AGE 8 YEARS 7 MONTHS.
[The composition is titled "Op. 1, Dog's Dance," in A Major, with a "Tempo 75," "Moderato," in 8/8 time. The composition is marked by 16th-note flourishes, eighth-note triplets, each stave occasionally briefly changing from their original clef to opposite clef (e.g., from treble to bass clef or vice versa) and back again, a dedication ("Dedicaded [sic] to 'Brutus' my aunt's dog,"), and the following directions to the pianist, mirroring the dog's activity, appearing under the bass clef: "Asleep" (1st measure), "Bell rings" (2nd measure), "Gets up" and "barks" (3rd measure) "scampers" (4th measure), "scampers back" (6th measure), "rests" (measures 7 & 8), "Hears footsteps" (9th measure), "trots" (end of 10th measure), "Ball is thrown" and "Scampers after it" (11th measure), "Ball stops" (13th measure), "He foosle-woosles it" (14th measure), "Trots back" and "Drops it" (15th measure), "Regrets it" and "Trots" (16th measure), and "Drops it" (17th measure). There are very few errors in notation for a hand-written composition of this complexity; the errors that are made appear to be simple oversights, such as using quarter-notes in a triplet instead of eighth notes, using a half note when only a quarter beat remains in the measure, and the like.]