This puts her in a rage whenever she thinks of it.
“Do you imagine, my lord, that that recommends him to me?” she answers, in a tone which betrays her feelings. “How do I know that you do not still prefer the French Princess Fredegonde to me?”
A blush and a faint denial is the reply, and a murmured assurance that such perfection as she possesses makes him the envy of all the sovereigns his neighbours. The timid Don Juan shrinks from any form of attack; he is so tormented that he scents trouble in the air.
The queen sees her advantage, and continues: “Believe me, I, at least, love you, if you care for that. Too much so, indeed, to bear to see you so overshadowed as you are. Your son, too, is drawing away your subjects from you. A great sacrifice must be made or you will never reign.”
“A sacrifice?” answers Don Juan vaguely. He affects not to understand her, but reddens with annoyance at this false note in the harmony of their interview.
“Oh, Juan, how can you pretend to mistake me!” she cries, clasping her hands; “is it the first time I have told you that while the constable lives I shall never have a happy hour?” Her countenance saddens with real or pretended distress; a deep sigh heaves her bosom, upon which rests a collar of jewels and strings of Orient pearls. With her kerchief she wipes away imaginary tears. Don Juan, who is vaguely contemplating her as a vision of beauty, is suddenly greatly distressed, and rises to comfort her. She puts him back with a pettish motion, and with a troubled air he resumes his seat.
“How do I know,” she continues, in a lower voice, “that the magic arts Luna exercises over _you_ may not be employed against _me_?”
“Magic arts!” faintly ejaculates the king.
“Yes, my lord, all Spain knows it, and is weary of the wickedness of this presumptuous man. It is by infernal arts that he sways you. He will bring the kingdom to destruction. Did he not, like a traitor, turn back from the walls of Granada when the Zegrins were with you, and he should have led your victorious army into the walls of the Alhambra? Does he not conspire with the Infante of Aragon against your life?”
So vivid is the picture she calls up of the misdeeds of Luna, that real tears now course each other down her cheeks. She believes in what she says, and this gives conviction to her words. She believes him to be guilty of all of which he is accused, and she knows that he will cross her influence with Don Juan. Above all, she dreads the mysterious action of that occult power he is said to possess. Superstition and ignorance go together in her mind. A Portuguese princess of the fourteenth century is alive to all the prejudices of the time.