1. THE LANGUAGE.--The Japanese is considered as belonging to the isolated languages, as philologists have thus far failed to classify it. It is agglutinative in its syntax, each word consisting of an unchangeable root and one or several suffixes. Before the art of writing was known, poems, odes to the gods, and other fragments which still exist had been composed in this tongue, and it is probable that a much larger literature existed. During the first centuries of writing in Japan, the spoken and written language was identical, but with the study of the Chinese literature and the composition of native works almost exclusively in that language, there grew up differences between the colloquial and literary idiom, and the infusion of Chinese words steadily increased. In writing, the Chinese characters occupy the most important place. But all those words which express the wants, feelings, and concerns of everyday life, all that is deepest in the human heart, are for the most part native. If we would trace the fountains of the musical and beautiful language of Japan, we must seek them in the hearts and hear them flow from the lips of the mothers of the Island Empire. Among the anomalies with which Japan has surprised and delighted the world may be claimed that of woman's achievements in the domain of letters. It was woman's services, not man's, that made the Japanese a literary language, and under her influence the mobile forms of speech crystallized into perennial beauty.
The written language has heretofore consisted mainly of characters borrowed from the Chinese, each character representing an idea of its own, so that in order to read and write the student must make himself acquainted with several thousand characters, and years are required to gain proficiency in these elementary arts. There also exists in Japan a syllabary alphabet of forty-seven characters, used at present as an auxiliary to the Chinese. Within a very recent period, since the acquisition of knowledge has become a necessity in Japan, a society has been formed by the most prominent men of the empire, for the purpose of assimilating the spoken and written language, taking the forty-seven native characters as the basis.