=North British Advertiser.=—“This is a weird and strange story that interests and fascinates the reader, with its occult fancies and marvellous experiences. . . . It may be added, in conclusion, that it is a book well worth reading, and will easily bear a second perusal.”

=Liverpool Post.=—“A very skilfully constructed story, mysterious and strange, with a natural explanation suggested of all the mystery which does not spoil one’s enjoyment (here follows analysis of plot). This is the bare outline of the story up to a certain point; it is impossible to convey adequately an idea of the awe-inspiring characteristics of the story. Readers can safely be recommended to turn to the book itself.”

A Girl of the North — Part 133

_=In Monte Carlo.=_ A Tale by HENRYK SIENKIEWICZ, Author of “Quo Vadis,” “With Fire and Sword,” etc., etc. Translated by S. C. de SOISSONS. Crown 8vo, art cloth, with a new Portrait of the Author, 2s. 6d.

A Girl of the North — Part 133

_=The Tragedy of The Lady Palmist.=_ By W. LUTHER LONGSTAFF, Author of “Weeds and Flowers,” etc. An exciting tale, descriptive of the “Behind-the-Scenes of the Palmist’s Bohemia.” Crown 8vo, cloth, 2s. 6d.

A Girl of the North — Part 133

_=My Lady Ruby, and Basileon, Chief of Police=_. Two stories by G. F. MONKSHOOD, Author of “Nightshades,” “Rudyard Kipling: The Man and His Work,” “Woman and The Wits,” etc. Crown 8vo, cloth, 2s. 6d.

_=The Hypocrite.=_ A Modern Realistic Novel of Oxford and London Life. Fourth Impression. Crown 8vo, cloth, 2s. 6d.

⁂ _This book has been “boycotted” by Messrs Mudie and Messrs W. H. Smith & Son as being “unfit to circulate in their libraries,” yet it has been praised by the press as being “a powerful sermon and a moral book.”_

=Daily Telegraph.=—“A book by an anonymous author always arouses a certain inquiry, and when the book is clever and original the interest becomes keen, and conjecture is rife, endowing the most unlikely people with authorship. . . . It is very brilliant, very forcible, very sad. . . . It is perfect in its way, in style clear, sharp and forcible, the dialogue epigrammatic and sparkling. . . . Enough has been said to show that ‘The Hypocrite’ is a striking and powerful piece of work, and that its author has established his claim to be considered a writer of originality and brilliance.”