We wish to reiterate a previous statement; the "roaring lion" is never heard if the still fight, the oily snake methods serve to a better advantage. The Apostle's exhortation is timely: "Be vigilant, be sober"--be on the alert constantly, and be at your best, as an "adversary" who knows no boundary lines in his work of subjugation and destruction has declared war to the end.

"For such are false apostles, deceitful workers, transforming themselves into the apostles of Christ. And no marvel; for Satan himself is transformed into an angel of light."--_2 Corinthians xi. 13-14._

Is the Devil a Myth? — Part 20

The Devil is a person, with a great personality; but like human beings, he is not equally endowed in all the attributes of his nature. However, the Book gives us no information as to his weaknesses. He is all superlative strength; but if at any point there is a special endowed faculty that would seem to overshadow the others, it is surely manifested when Satan is transformed into an _angel of light_. The reason for this is obvious; it is a return to his old office of "light bearer." When he can effectively serve his purpose by this startling transformation--darkness to light--he is at once in a realm where he is familiar with every inch of the territory.

Is the Devil a Myth? — Part 20

A close observation of the signs of the times--the happenings in social and religious circles--will reveal the fact that _light_ is not only his most familiar rôle, but his favourite rôle. The world is attracted by things that are bright, beautiful, cheerful; anything that hides the sombre side of life, throws a mystic veil over its realities, and helps us to forget--whether it be books, music, lectures, or the nonentities of society--outweigh all else in the casting of accounts and in forming comparative estimates.

Is the Devil a Myth? — Part 20

If Satan were allowed to pose for a full sized picture of himself, just as he wishes to be seen by the children of this generation, no portrait painter could produce a specimen of rarer beauty; it would grace the walls of the most exclusive parlour, and attract special attention in any great art gallery of the world. There would be no sharp angles, no coarse, sensuous lines, no out-of-date adornment--the traditional fiery-red would not appear, but rather the most delicate tints and shades of colour. The features would be the most graceful and artistic combination of curves and circles. The "hairy one," the jackal, the snake, the lion, the shadow, the spoiler at once become as "beautiful as a dream." Amazing transformation!