There is another brick pointed church at Pavia--San Francesco--which has a fine west front redeemed from the common Italian character by the grand window-arch in its central division; and though this has been filled in with later and barbarous work, to the entire concealment of the tracery, its effect upon the whole front is astonishingly good. The detail is very elaborate, and in the arch a great number of terra-cotta ornaments are introduced. The front is divided by large pilasters into a centre and wings corresponding with the nave and aisles, but these are again subdivided by smaller pilasters, each of which is composed of three circles on plan, and finished rather nicely with a kind of finial at the top.

San Francesco is lighted by a succession of small clerestory windows, and the aisles have large buttresses, the greater part of the upper portion of the west front being a mere mask to make out the desired outline. I begin really to wonder whether I shall see a west front before I leave Italy which is not a purely unnecessary and unprepossessing sham!

Brick and Marble in the Middle Ages — Part 185

Pavia is a busy and a pleasant city, and one that improves on acquaintance; it is true that it was very hot and sultry, but to this I have been fairly acclimatized, and so rather enjoyed it, except when a piazza had to be crossed in the sun, or a walk to be taken along a street unprotected by arcading, which by the way is much rarer here than in Padua, Mantua, and other cities which I have been describing. The main street of the city is very picturesque, with somewhat of a fall towards the south, so that just a glimpse is obtained between the houses of the distant Apennines.

Brick and Marble in the Middle Ages — Part 185

From Pavia we went, on our road to Milan, to pay a visit to the renowned Certosa. The road thither, which is also that to Milan, pursues a monotonously straight course by the side of a canal, or canalized river, and between rows of stiff trees, until, about four miles from Pavia, a turning at right angles out of the main road soon leads to the gateway of the monastery, and through this--which stands open apparently rather through carelessness than out of hospitality--we drove into the courtyard in front of the church. This, grown all over with weeds, looked certainly very desolate and wretched, and but a poor preface to the polished marbles of the west front, and the riches and paintings of the interior of the church.

Brick and Marble in the Middle Ages — Part 185