Phillip Barker (born 1955) is a Canadian production designer, filmmaker and visual artist based in Toronto, Ontario.
He is best known for his work as a production designer, particularly his work with director Atom Egoyan, which includes ten feature films and two live operas. In 2006, Barker received a Directors Guild of Canada Award for Outstanding Achievement in Production Design for his work on Egoyan's Where the Truth Lies.
Barker's production design has also been featured in films by directors such as Brian De Palma, Mira Nair, Lisa Cholodenko and Neil LaBute, as well as on the television series Reign (2013–2015), American Gothic (2016) and Star Trek: Discovery (2020).
Shadow Nettes, a short film written and directed by Barker, won the award for Best Canadian Short Film at the 2017 Vancouver International Film Festival.
Early life
Phillip Barker was born in Bradford, Yorkshire, England. His father was an auto mechanic.
Barker's interest in filmmaking began in 1967, when his father brought home a Super-8 camera and projector. Barker's family moved to Canada the following year. His father had purchased the film camera to document the trip. He completed his high school education at Thomas A. Stewart Secondary School in Peterborough, Ontario, where his brother Mike was a founder of the city's Folk Under the Clock concert series.
He attended the Ontario College of Art, starting with commercial illustration, later transitioning to more experimental forms of art, including installation art that incorporated elements of film and video.
Career
Barker spent a year and a half in Paris, before moving to Amsterdam, where he lived from 1982 to 1987, supporting himself by working as a scenic painter. In 1986, he debuted his performance piece titled Trust a Boat, 'Film-sculpture for a House inside a canal house on the Keizersgracht. The performance was viewed from the street below as scenes were performed in nine windows of the three story building. These scenes consisted of a mixture of live performance and film projections set to music. Barker also served as production designer for the 1987 Dutch film Zoeken naar Eileen (Looking for Eileen), by director Rudolf van den Berg.
Upon his return to Canada, Barker continued to create installation pieces that incorporated elements of film, video, sculpture and live performance, often exhibited in public places. He also worked on commercials and rock videos to help support himself.
At the Seville Expo '92, Barker contributed an art piece to the Canadian pavilion. His work consisted of a flooded tent set up in the middle of a vast pond. Images of Canadian ecological disasters were projected onto the walls of the tent.
In 1995, Barker released the short film A Temporary Arrangement. The film won the Best Experimental Film Award at the 1996 Melbourne International Film Festival, and was also featured on TVOntario's two-part series Exposures: The Art of Film and Video, which aired in 2005. The film features composite images that were made by combining nine frames, all shot in Super 8 film and arranged into a grid that was then transferred to 35mm film.
Barker worked on Egoyan's stage production of Richard Strauss's opera Salome, presented by the Canadian Opera Company in 1996. Barker created elements of projected film and video for the performance. The first of many collaborations with Egoyan, the two met after Egoyan attended one of Barker's shows that was being held in an abandoned building once owned by the CBC. The work involved a delicate paper house that was suspended over a shallow pool of water and projected on the walls were black-and-white super 8 film images of various people floating on a river. Egoyan said of the experience: "Sometimes it just happens. You see a piece by a new artist and it answers something within you in a direct and powerful way. I had that experience nearly twenty-five years ago when I first came across Phillip's work." After the show, Egoyan left Barker a note in the show's guestbook, inviting Barker to work with him.
Barker and Egoyan next worked together on the film The Sweet Hereafter. Barker was nominated, along with Patricia Cuccia, in the category of Achievement in Art Direction/Production Design at the 18th Genie Awards for their work on the film. He also worked with Egoyan in 1997 on a film featuring cellist Yo-Yo Ma that aired as the fourth episode of the six-part television film series Inspired by Bach.
