"Dear me, my lady, is it yourself?" said Mrs. Tribb, throwing up her dry little hands and dropping a dignified curtsey. "Well, I do call it good of you to come and see Master Noel. He don't go out enough, and don't take enough interest in his stomach, if your ladyship will pardon my mentioning that part of him. But you don't know, my lady, what it is to be a cook, and to see the dishes get cold, while he as should eat them goes on painting, not but what Master Noel don't paint like an angel, as I've said dozens of times."

While Mrs. Tribb ran on in this manner her lively black eyes twinkled anxiously. She knew that her master and Lady Agnes had been, as she said herself, "next door to engaged," and knew also that Lambert was fretting over the match which had been brought about for the glorification of the family. The housekeeper, therefore, wondered why Lady Agnes had come, and asked herself whether it would not be wise to say that Master Noel--from old associations, she always called Lambert by this juvenile title--was not at home. But she banished the thought as unworthy, the moment it entered her active brain, and with another curtsey in response to the visitor's greeting, she conducted her to the studio. "Them two angels will never do no wrong, anyhow," was Mrs. Tribb's reflection, as she closed the door and left the pair together. "But I do hope as that black-faced husband won't ever learn. He's as jealous as Cain, and I don't want Master Noel to be no Abel!"

Red Money — Part 41

If Mrs. Tribb, instead of going to the kitchen, which she did, had gone out of the front door, she would have found Chaldea lying full length amongst the flowers under the large window of the studio. This was slightly open, and the girl could hear every word that was spoken, while so swiftly and cleverly had she gained her point of vantage, that those within never for one moment suspected her presence. If they had, they would assuredly have kept better guard over their tongues, for the conversation was of the most private nature, and did not tend to soothe the eavesdropper's jealousy.

Red Money — Part 41

Lambert was so absorbed in his painting--he was working at the Esmeralda-Quasimodo picture--that he scarcely heard the studio door open, and it was only when Mrs. Tribb's shrill voice announced the name of his visitor, that he woke to the surprising fact that the woman he loved was within a few feet of him. The blood rushed to his face, and then retired to leave him deadly pale, but Agnes was more composed, and did not let her heart's tides mount to high-water mark. On seeing her self-possession, the man became ashamed that he had lost his own, and strove to conceal his momentary lapse into a natural emotion, by pushing forward an arm-chair.

Red Money — Part 41