The rush of it broke over him like a wave, setting free a tumult of very deep emotion. He raised the glasses automatically to his eyes, but looking through them he saw not Ischia nor the opening the Captain explained the ship would make, heading that evening for Sicily. He saw quite another picture that drew itself up out of himself--was thrown up, rather, somewhat with violence, as upon a landscape of dream-scenery. The lens of passionate yearning in himself, ever unsatisfied, focused it against a background far, far away, in some faint distance that was neither of space nor time, and might equally have been past as future. Large figures he saw, shadowy yet splendid, that ran free-moving as clouds over mighty hills, vital with the abundant strong life of a younger world.... Yet never quite saw them, never quite overtook them, for their speed and the manner of their motion bewildered the sight....

Moreover, though they evaded him in terms of physical definition he knew a sense of curious, half-remembered familiarity. Some portion of his hidden self, uncaught, unharnessed by anything in modern life, rose with a passionate rush of joy and made after them--something in him untamed as wind. His mind stood up, as it were, and shouted "I am coming." For he saw himself not far behind, as a man, racing with great leaps to join them ... yet never overtaking, never drawing close enough to see quite clearly. The roar of their tramping shook the very blood in his ears....

The Centaur — Part 32

His decision to accept the strangers had set free in his being something that thus for the first time in his life--escaped.... Symbolically in his mind this Escape had taken picture form....

The Centaur — Part 32

The Captain's voice was asking for the glasses; with a wrench that caused almost actual physical pain he tore himself away, letting this herd of Flying Thoughts sink back into the shadows and disappear. With sharp regret he saw them go--a regret for long, long, far-off things....

The Centaur — Part 32

Turning, he placed the field-glasses carefully in that fat open hand stretched out to receive them, and noted as he did so the thick, pink fingers that closed about the strap, the heavy ring of gold, the band of gilt about the sleeve. That wrought gold, those fleshy fingers, the genial gutteral voice saying "T'anks" were symbols of an existence tamed and artificial that caged him in again....