We went again to the Piazzo Castello which is so large that it is a very fair walk to go all around the square--and went into the hall to see the statue (equestrian of course) of Victor Amadeus the First. The horse is curious, in marble. Then we went to the Cathedral, which is not very interesting. The sacristan showed us a collection of small, dark pictures over the altar which he said were by Albert Dürer; but they were so black and confused I couldn't see anything--a little glimpse of gilding every now and then that might be a halo around a saint's head. What was interesting was the "Cappella del S. S. Sudario," where the linen cloth is kept which is said to have enveloped the body of our Saviour. It is kept in an urn, and only shown by special permission. This, however, the sacristan obtained for us. He disappeared into the sacristy and soon returned bringing with him a nice fat old priest in full canonicals and very conversationally disposed. He lifted off the top of the urn and drew out the linen cloth most carefully. It is very fine linen, quite yellow and worn--almost in holes in some parts. He spread it out most reverently on a marble slab, and showed us the outlines of a man's figure. Marks there were certainly. I thought I saw the head distinctly, but of course the imagination is a powerful factor on these occasions. The chapel was dimly lighted, a few tapers burning, and the old priest was so convinced and reverent that it was catching. I suppose it might be possible--certainly all these traditions and relics were an enormous strength to the Catholic Church in the early days when there were no books and little learning, and people believed more easily and simply than they do now. The chapel is a rather ugly, round building, almost black, and with a quantity of statues (white) which stand out well. It is the burial chapel of the House of Savoy, and there are statues apparently to every Emmanuel or Amadeus that ever existed--also a large marble monument to the late Queen of Sardinia. Do you remember when Prince Massimo, in Rome, always spoke of Victor Emmanuel, when he was King of Italy, and holding his court in Florence, as the King of Sardinia?
We had walked about longer than we thought, but everything is close together, and it was time to get back to the hotel for breakfast. I had the dining-room almost to myself--my table was drawn up close to the open window, a vase of roses upon it, and one or two papers--English, Italian, and the "Figaro." Paris seems to be amusing itself. Henrietta writes that the Champs Elysées are enchanting--all the horse chestnuts in full bloom. Here there is abundance of flowers--one gets glimpses of pretty gardens through open gates and openings in railings and walls. There are plenty of street stalls, too, with fruits and flowers, but one doesn't see the wealth of roses and wistaria climbing over every bit of wall and up the sides of houses as in Florence. The city is perfectly busy and prosperous, but has none of the delightful look of laziness and enjoyment of life and the blue sky and the sunshine that one feels in Rome and Florence.