Alice Duer Miller (July 28, 1874 – August 22, 1942) was an American writer whose poetry actively influenced political opinion. Her feminist verses influenced political opinion during the American suffrage movement, and her verse novel The White Cliffs influenced political thought during the U.S.'s entry into World War II. She also wrote novels and screenplays.
Early life
Alice Duer Miller was born in Staten Island, New York, on July 28, 1874, into a wealthy and prominent family. She grew up in Weehawken, New Jersey with her parents and two sisters. She was the daughter of James Gore King Duer and Elizabeth Wilson Meads. The family lost their fortune during the Baring Bank failure.
Her mother Elizabeth Wilson Meads was the daughter of Orlando Meads of Albany, New York. Her great-grandfather was William Alexander Duer, president of Columbia College. Her great-great-grandfather was William Duer, an American lawyer, developer, and speculator from New York City. He had served in the Continental Congress and the convention that framed the New York Constitution. In 1778, he signed the United States Articles of Confederation. Her great-great-great-grandfather was William Alexander, who claimed the disputed title of Earl of Stirling and was an American major-general during the American Revolutionary War.
Miller was also a descendant of Senator Rufus King, who was an American lawyer, politician, and diplomat. He was a delegate for Massachusetts to the Continental Congress. He also attended the Constitutional Convention and was one of the signatories of the United States Constitution on September 17, 1787. Alice attended Barnard College in 1895, studying Mathematics and Astronomy and graduating Phi Beta Kappa. She helped to pay for her studies by selling novels and short essays to Harper's and Scribner's magazines. Alice excelled as a student with her award-winning thesis "Dedekind's Theory of the Irrational Number". She and her sister Caroline jointly published a book of poems. Miller remained connected to Barnard throughout her life; she was elected as a trustee of Barnard College in 1922.
Career
Alice wrote her entire life, but before she was a full-time writer, she taught at a girls school English composition and tutored Barnard College students in mathematics. Miller became known as a campaigner for women's suffrage and was an active member of the Algonquin Round Table and Heterodoxy (group). She published a series of satirical poems in the New York Tribune titled and later republished in the collection, Are Women People? These words became a catchphrase of the suffrage movement. It reads:
"FATHER, what is a Legislature? A representative body elected by the people of the state. Are women people? No, my son, criminals, lunatics and women are not people. Do legislators legislate for nothing? Oh, no; they are paid a salary. By whom? By the people. Are women people? Of course, my son, just as much as men are." She followed this collection with Women Are People! (1917).
As a novelist, she scored her first success with Come Out of the Kitchen in 1916. The story was made into a play and later the 1948 film Spring in Park Lane. She followed it with a series of other short novels, many of which were staged and (increasingly) made into films.
Her novel in verse Forsaking All Others (1933) about a tragic love affair, and many consider her greatest work. Miller was invited to write for Hollywood in 1921 by Samuel Goldwyn. Many of her stories became motion pictures, such as Are Parents People? (1925), Roberta (1935), and Irene (1940). She also became involved in a number of motion picture screenplays, including Wife vs. Secretary (1936). Her name appears in the very first issue of The New Yorker as an advisory editor. Throughout her life, she wrote successfully for a wide range of genres and produced forty-four books.
The White Cliffs
In 1940, she wrote the verse novel The White Cliffs, about an American girl who coming to London as a tourist, meets and marries a young upper-class Englishman in the period just before World War I. The war begins and he goes to the front. He is killed just before the end of the War, leaving her with a young son. Her son is the heir to the family estate. Despite the pull of her own country and the impoverished condition of the estate, she decides to stay and live the traditional life of a member of the English upper class. The story concludes as World War II commences, and she worries that her son, like his father, will be killed fighting for the country he loves. The poem ends with the lines: