Some day a biographer with the right talent and in possession of all Traubel's material, cognizant of social ideals and facts and sensitive to poetry, will write a good life of Whitman. So far as I know, there is no satisfactory biography of our one magnificent American poet. Traubel was not able to do it. He was properly employed in gathering and publishing the fundamental record. Moreover, his style, perfectly fitted to short hand notes, is, in continuous composition, abominable. I loved him with all my Whitmanian heart and read him, because of every four of his sentences one says something worth while. But ten sentences of his in a row hurt like a corduroy road. I have to get out and walk and rub myself.

Several literary men have tried to write Whitman's life and they have failed. Professor Bliss Perry's book is fatuous. He had no excuse to write about Whitman at all, except in so far forth as a publisher's request to an alleged literary man to do a book for an established series furnishes a practical excuse.

The Critical Game — Part 77

The critical study of Whitman by Mr. Basil De Selincourt is sympathetic and discerning as regards what may be called the purely literary side. He understands what Whitman says and takes him for granted as one of the world's supreme poets. He conceives the essential unity of Whitman's thought, a unity that should be obvious but evidently is not to some readers and critics who treat Whitman as a collection of more or less impressive fragments. Mr. De Selincourt's analysis of Whitman's form is instructive, appreciative, though a trifle academic, not wholly emancipated from schoolroom rules of prosody. If you will read Whitman aloud, pronouncing the words as they are pronounced in prose, and emphasizing them according to the sense, the scansion will take care of itself. When a line is bad (and Whitman, like most of the other great poets, wrote bad lines) it won't work by any effort of elocution. The good lines, if you have an ear in your head and a tongue in your mouth, chant themselves, and you can forget all about iambics and hexameters.

The Critical Game — Part 77

Where Mr. De Selincourt fails is in his account of Whitman's notions of liberty, democracy, America, the future. Book-people do not understand these things, especially English book-people, who assume that America produced Whitman because it was a land of liberty. It was not. It was, like the rest of the world, a land of plutocracy, convention, servility. It is complimentary to us but unhappily not true to say that "America stands for the passionate re-assertion of certain beliefs which life, to those who look back upon it, seems always to stultify, but which, to those who can look forward, appears as the very spirit and power of life itself--'the urge, the ardour, the unconquerable will'."

The Critical Game — Part 77