[Illustration: The Great Jube, or Altar Screen: Dixmude]

In the silence of the great gray old church I labored over the exquisite Gothic detail, all unmindful of the passing time, when all at once I became conscious that a small green door beside the right hand low _retable_ was moving outward. I ceased working and watched it; then the solitary candle before the statue of the Virgin guttered and flared up; then the small door opened wide and forth came an old man in a priest's cassock, with a staff in his hand. The small, green, baize-covered door closed noiselessly; the old man slowly opened the gate before the altar and came down the step toward me. Without a word he walked behind my chair and peered over my shoulder at the drawing I was making of the great _Jube_.

Vanished towers and chimes of Flanders — Part 20

He tapped the floor with his staff, placed it under his arm, sought his pocket somewhere beneath his cassock, from which he produced a snuff box. From this he took a generous pinch, and a moment later was blowing vigorously that note of satisfaction that only a devotee of the powder can render an effective adjunct of emotion.

Vanished towers and chimes of Flanders — Part 20

"Bien faite, M'sieur," he exclaimed at length, wiping his eyes on a rather suspicious looking handkerchief. "T-r-r-r-r-es bien faite! J'vous fais mes compliments." "Admirable! You have certainly rendered the spirit of our great and wondrous altar screen."

Vanished towers and chimes of Flanders — Part 20

A little later we passed out of the old church through a side door leading into a small green enclosure, now gloomy in the shade of the old stone walls. At one end was a tangle of briar, and here were some old graves, each with a tinsel wreath or two on the iron cross. And presiding over these was the limp figure of a one-legged man on two crutches, who saluted us. We passed along to the end of the inclosure, where lay a chance beam of sunshine like a bar of dusty gold against the rich green grass.

"Oui, M'sieur," said the priest, as if continuing a sentence he was running over in his mind. "Cassé! Pauvre Pierre, un peu cassé, le pauvre bonhomme, but then, he's good for several years yet; cracked he is, but only cracked like a good old basin, and (in the idiom) he'll still hold well his bowl of soup."

He laughed at his wit, became grave, then shook out another laugh.