“Let me look at you, my child. I can’t think of her as a grown girl, Markham. Don’t you know she is my baby. She has never grown up, like the rest of you, to me. Oh, did you never wish for me, little Frances? Did you never want your mother, my darling? Often, often, I have lain awake in the night and cried for you.”
“Oh mamma!” cried Frances, forgetting her shyness, throwing herself into her mother’s arms. The temptation to tell her that she had never known anything about her mother, to excuse herself at her father’s expense, was strong. But she kept back the words that were at her lips. “I have always wanted this all my life,” she cried, with a sudden impulse, and laid her head upon her mother’s breast, feeling in all the commotion and melting of her heart a consciousness of the accessories, the rich softness of the satin, the delicate perfume, all the details of the new personality by which her own was surrounded on every side.
“Now I see,” cried the new-found mother, “it was no use parting this child and me, Markham. It is all the same between us--isn’t it, my darling?--as if we had always been together--all the same in a moment. Come up-stairs now, if you feel able, dear one. Do you think, Markham, she is able to walk up-stairs?”
“Oh, quite able; oh, quite, quite well. It was only for a moment. I was--frightened, I think.”
“But you will never be frightened any more,” said Lady Markham, drawing the girl’s arm through her own, leading her away. Frances was giddy still, and stumbled as she went, though she had pledged herself never to be frightened again. She went in a dream up the softly carpeted stairs. She knew what handsome rooms were, the lofty bare grandeur of an Italian palazzo; but all this carpeting and cushioning, the softness, the warmth, the clothed and comfortable look, bewildered her. She could scarcely find her way through the drawing-room, crowded with costly furniture, to the blazing fire, by the side of which stood the tea-table, like, and yet how unlike, that anxious copy of English ways which Frances had set up in the loggia. She was conscious, with a momentary gleam of complacency, that her cups and saucers were better, though! not belonging to an ordinary modern set, like these; but, alas, in everything else how far short! Then she was taken up-stairs, through--as she thought--the sumptuous arrangements of her mother’s room, to another smaller, which opened from it, and in which there was the same wealth of carpets, curtains, easy-chairs, and writing-tables, in addition to the necessary details of a sleeping-room. Frances looked round it admiringly. She knew nothing about the modern-artistic, though something, a very little, about old art. The painted ceilings and old gilding of the Palazzo--which she began secretly and obstinately to call _home_ from this moment forth--were intelligible to her; but she was quite unacquainted with Mr Morris’s papers and the art fabrics from Liberty’s. She looked at them with admiration, but doubt. She thought the walls “killed” the pictures that were hung round, which were not like her own little gallery at home, which she had left with a little pang to her sister. “Is this Constance’s room?” she asked timidly, called back to a recollection of Constance, and wondering whether the transfer was to be complete.