As he examined them, Mr. Baker and Mrs. Morton saw a shadow of disappointment cross his face. He handed the three pages to Baker.

"The threatening letters were not written on any machine at your studio," he said.

The Film of Fear — Part 38

Baker took the pages and looked them over carefully.

The Film of Fear — Part 38

"No," he said at length. "You are right. None of these show the second defect you have named."

The Film of Fear — Part 38

"Well," observed Duvall cheerfully, "we have accomplished something, at least. We know that these letters were not written at the studio, and it seems reasonably certain that the woman we are looking for has a typewriter in her rooms, or wherever she may live. Of course she might have had the typewriting done by some public stenographer, but I consider it unlikely. A person sending threats of this character would not be apt to entrust so dangerous a secret to a third person. We must therefore make up our minds to find a woman who has a typewriting machine, and knows how to use it."

"There are probably a hundred thousand such women in New York," Baker observed, gloomily.

"No doubt. But we have more information than that about the person who sent these letters."

"What, for instance?" asked Baker and Mrs. Morton in a breath.

"Well, in the first place, this woman was able to secure possession of a photograph of Miss Morton." He took the hideously distorted picture from his pocket. "Do either of you know where this photograph was made?"

Mrs. Morton examined the picture with a shudder. Then she rose, went to a cabinet at the other end of the room, and took out an album. Returning to the table, she placed the book before her, and began to turn the pages. In a few moments she found what she was looking for, a duplicate of the likeness which lay before them, with the exception, of course, of its frightful distortions.

"This picture was made by Gibson, on Fifth Avenue," she said, referring to the photograph in the book. Both Baker and Duvall saw at once that on the retouched picture, the name of the photographer had been scratched off.

"How many of them were made, and what became of them?" Duvall asked quickly.

"Ordinarily I could not answer such a question," Mrs. Morton replied, "for Ruth has had many photographs taken, and we have not of course kept a record of them, or what has become of them, but in this particular case I happen to remember that she did not like the pose particularly, and ordered but half a dozen. I do not think that she gave any of them away. If I am right in my supposition, there should be five more here in the apartment." Closing the book, Mrs. Morton went to the cabinet again, and took out a portfolio containing numberless photographs of her daughter in all sorts of poses.