Well--not to indulge further in reverie--Andy, I say, was locked up in the justice-room; and as I have been making all these observations about Justice, a few words will not be thrown away about the room which she was supposed to inhabit. Then I must say Squire O'Grady did not use her well. The room was a cold, comfortless apartment, with a plastered wall and an earthen floor, save at one end, where a raised platform of boards sustained a desk and one high office-chair. No other seat was in the room, nor was there any lateral window, the room being lighted from the top, so that Justice could be in no way interested with the country outside--she could only contemplate her native heaven through the sky-light. Behind the desk were placed a rude shelf, where some "modern instances," and old ones too, were lying-covered with dust--and a gun-rack, where some carbines with fixed bayonets were paraded in show of authority; so that, to an imaginative mind, the aspect of the books and the fire-arms gave the notion of Justice on the shelf, and Law on the rack.

But, Andy thought not of these things; he had not the imagination which sometimes gives a prisoner a passing pleasure in catching a whimsical conceit from his situation, and, in the midst of his anxiety, anticipating the satisfaction he shall have in saying a good thing, even at the expense of his own suffering. Andy only knew that he was locked up in the justice-room for something he never did. He had only sense enough to feel that he was wronged, without the spirit to wish himself righted; and he sauntered up and down the cold, miserable room, anxiously waiting the arrival of "his honour, Squire O'Grady," to know what his fate might be, and wondering if they would hang him for upsetting a post-chaise in which a gentleman _had been_ riding, rather than brooding future means of redress for his false imprisonment.

Handy Andy, Volume One — Part 104

There was no window to look out of; he had not the comfort of seeing a passing fellow-creature--for the sight of one's kind _is_ a comfort. He could not even behold the green earth and the freshness of nature, which, though all unconsciously, has still a soothing influence on the uncultivated mind; he had nothing but the walls to look at, and they were blank, save here and there that a burnt stick in the hand of one of the young O'Gradies emulated the art of a Sandwich Islander, and sketched faces as grotesque as any Pagan could desire for his idol; or figures after the old well-established school-boy manner, which in the present day is called Persian painting, "warranted to be taught in three lessons." Now, this bespeaks degeneracy in the arts; for, in the time we write of, boys and girls acquired the art without any lessons at all, and abundant proofs of this intuitive talent existed on the aforesaid walls. Napoleon and Wellington were fighting a duel, while Nelson stood by to see fair play, he having nothing better to do, as the battle of Trafalgar, represented in the distance, could, of course, go on without him. The anachronism of jumbling Buonaparte, Wellington, and Nelson together, was a trifle amongst the O'Gradies, as they were nearly as great proficients in history, ancient and modern, as in the fine arts. Amidst these efforts of genius appeared many an old rhyme, scratched with rusty nails by rustier policemen, while lounging in the justice-room during the proceedings of the great O'Grady, and all these were gone over again and again by Andy, till they were worn out, all but one--a rough representation of a man hanging.

Handy Andy, Volume One — Part 104